Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El zorzal is a Tango written by Manuel Romero and composed by Alberto Soifer.
In “El zorzal,” we explore the narrative of a passionate singer, symbolized as a thrush (‘zorzal’ in English), who pours out his emotions through his song to a beloved, represented as a regal flower. The poetry conveys a tale of unlikely love and aspiration, with the thrush overcoming social boundaries to reach the flower, manifesting a deep yearning for acceptance and union.
The thrush and the flower serve as powerful symbols in this Tango. The thrush, a common bird known for its melodious song, represents the ordinary person with extraordinary talents and dreams. In contrast, the flower symbolizes beauty, grace, and a position that seems unattainable. Their interaction reflects the theme of transcending societal divisions through the power of emotion, art, and persistence. The phrase “Pero tanto cantó su dolor, Que la flor señorial, Se inclinó dulcemente A besar a su zorzal,” highlights the transformative power of honest expression.
Written in 1935 in Argentina, “El zorzal” emerges during a period rich in cultural and artistic expression, yet marked by social and economic upheavals. This era in Argentina saw the rise of Tango as not only a dance form but as a cultural identity that often articulated the emotions and stories of the lower classes. The longing and overcoming of class barriers evident in the lyrics perhaps mirror the societal dynamics of Argentina during this time, where the divide between the affluent and the working class was prominent.
Manuel Romero was a prolific Argentine filmmaker and screenwriter, known for his contributions to the national cinema and popular culture during the early to mid-20th century.