Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El Yacaré is a Tango written by Mario Soto and composed by Alfredo Attadía.
El Yacaré” narrates the excitement and fervor of a horse race on a sunny Sunday in Palermo, a neighborhood in Buenos Aires renowned for its racecourse. The lyrics vividly depict the scene at the racecourse, with horses lined up at the start, and a particular focus on one jockey who remains composed amid the chaotic excitement. The chorus cheers on “El Yacaré,” a name suggesting tenacity and resilience, akin to that of a crocodile, capturing the essence of the intense competition and the emotional highs of betting and racing.
The term “El Yacaré,” meaning ‘The Alligator’ in English, symbolizes strength, endurance, and a fighting spirit, qualities essential for both the jockey and horse to prevail in the race. Key phrases like “¡Arriba viejo Yacaré!” convey encouragement and support, crystalizing moments of triumph and heroism that resonate deeply with audiences familiar with the sport. This phrase elevates the jockey and horse, Antúnez, showcasing their underdog status and the unexpected victory that defines the climax of the race.
Recorded in 1941, a period when Argentina was a haven of cultural flourishing despite global conflicts, “El Yacaré” serves as both entertainment and a reflection of Argentine identity characterized by passion and resilience. Palermo, central to Buenos Aires’ social and sporting life, represents a locale where class, drama, and the spirit of competition converge. The reference to winning “un Premio Nacional” (a National Award) not only emphasizes achievement but also aligns with a sense of national pride pervasive during that era.
Mario Soto, an integral figure in the Tango scene, is revered for encapsulating the Argentine spirit and cultural ethos in his compositions.
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