Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El vino triste is a Tango written by Manuel Romero and composed by Juan D’Arienzo.
“El vino triste” translates to “The Sad Wine,” a title which foretells the poignant narrative encapsulated in the lyrics. Amid the flowing melancholy, it is about a person drowning their sorrows in alcohol since the departure of a cherished one. The singer communicates through the lens of friends who observe the physical and emotional decay in him, an onlooker narrative that adds a depth of shared sorrow and communal understanding of grief. This grief is so profound that it turns wine into an accomplice to his suffering, symbolizing his attempt to numb the pervasive pain.
The use of wine as symbolism in this Tango is particularly compelling. Wine, typically symbolizing celebration and communion, here morphs into a medium of sadness and desolation. Phrases like “siempre estoy borracho… pero es de dolor” (I’m always drunk… but it’s with pain) reveal the dual nature of alcohol as both a solace and a destroyer. Additionally, the transformation of protagonist’s spirit — from a vibrant social drinker to a reclusive, sorrowful individual — mirrors the transformation of wine from joyful to “triste” (sad), hinting at how contextual and internal changes affect perception and reality.
Written in 1954, “El vino triste” emerged in a post-war Argentina, during a period characterized by political instability and societal shifts. The melancholy and introspection in the tango reflect a broader cultural undertone of disenchantment that many Argentinians felt during the mid-20th century. This backdrop makes the personal story of loss and incapacitating sorrow in the Tango resonate with a wider audience dealing with their collective and individual grievances, encapsulating a period where public and private spheres often intersected in cultural expressions like Tango.
Manuel Romero was a noted Argentine lyricist and author, celebrated for contributing richly emotional and culturally reflective texts to the famous Latin American genre of Tango.