Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El sonsonete is a Tango written by José Rótulo and composed by Enrique Dumas.
The narrative of “El sonsonete” unfolds around the complexity of love and relationships. Here, the speaker addresses complaints he receives whether he shows affection or indifference. Each stanza reflects a typical dichotomy faced by lovers: the balancing act between too much and too little. The refrain, “Y se vuelve a repetir el sonsonete,” emphasizes the cyclic and unending nature of these complaints which are akin to a recurring melody or annoyance in his life.
Symbolism in this Tango is richly tied to relational dynamics. The repeated phrase “El sonsonete” suggests a monotonous return to old habits or accusations, symbolizing the predictable but distressing nature of these exchanges. Stealing “flechas y vendas” (arrows and blindfolds) from Cupid symbolizes the protagonist’s power and recklessness in love, turning himself into an amorous outlaw who, driven by passion, disrupts conventional norms of love.
“El sonsonete,” created in 1962 Argentina, reflects an era of dramatic social and political change, paralleling the tumultuous nature of personal relationships depicted in the Tango. This period in Argentine history, marked by fluctuating leadership and social norms, may have influenced Rótulo’s portrayal of fleeting and impulsive romantic engagements expressed in the lyrics. The historical backdrop could emphasize the transient yet intense nature of connections, paralleling national instability.
José Rótulo was an illustrious Argentine lyricist, known for his contributions to the Tango genre.