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El remate

El remate is a Tango written by Alberto Pugliese and recorded by Francini-Pontier in 1955. Francini-Pontier has recorded El remate as an instrumental Tango.
“El Remate,” meaning “The Finale” in English, captures the essence of a grand culmination. It speaks to the emotions and intensity that build up throughout the piece, leading to a powerful and unforgettable conclusion. This composition mirrors life’s climactic moments, where all paths converge, leaving an indelible imprint on the soul.

Tango

Style

Francini-Pontier

Orchestra

Instrumental

Singer

Author

Alberto Pugliese

Composer

1955/6/13

Date

Instrumental
Instrumental
Francini-Pontier
Francini-Pontier

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Enrique Rodríguez – Clavelito en flor – 1937/11/18
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Enrique Rodríguez – En la buena y en la mala – 1940/6/4
José Basso – Besos brujos – 1967/1/1
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José Basso – Se marchita un clavel – 1960/8/4
José Basso – Cuando muere el corazón – 1955/12/23
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El remate recorded by other Orchestras

El remate recorded by other Orchestras

1955/6/13 – Predestinada – Alfredo Gobbi
1955/6/13 – Barra querida – Francini-Pontier
1955/6/13 – Corazon de oro – Francini-Pontier
1955/6/13 – Cuartito azul – Francini-Pontier
1955/6/15 – Comme il faut – Carlos di Sarli
El remate – 1944/6/1 – Osvaldo Pugliese – Instrumental
El remate – 1955/6/13 – Francini-Pontier – Instrumental

El remate recorded by Francini-Pontier


El remate is an instrumental Tango composed by Alberto Pugliese.



Interpretation of El remate


Translating to “The Finish” or “The Culmination,” “El remate” as a piece of instrumental music suggests a journey towards a climactic conclusion. In the hands of Francini-Pontier, the music likely captures the essence of tango’s passionate intensity and emotional depth. Each section of “El remate” likely builds upon the last, with layers of intricate violin melodies intertwined with the somber yet vibrant accordion. The rhythm section would create a driving force as the piece progresses towards the ‘remate,’ conveying an anticipation of resolution and fulfillment.



Francini-Pontier and El remate


The Francini-Pontier orchestra, renowned for their masterful tango interpretations, breathes life into “El remate” with their unique blend of emotional delivery and technical precision. The ensemble’s characteristic sound highlights both the traditional elements of tango and its evolving nature during the 1950s. By choosing to include “El remate” in their repertoire, Francini-Pontier invites the listener to experience the dynamic tensions and release inherent in tango music, making each performance a memorable storytelling through melody and rhythm.