El quintillo is a Pasodoble written by and recorded by Osvaldo Fresedo in 1937. Osvaldo Fresedo has recorded El quintillo as an instrumental Pasodoble.
“El Quintillo,” or “The Little Fifth,” sways with a rhythm that hints at the subtle elegance and charm of its origins. In the world of music and dance, a quintillo weaves a five-note pattern that creates a unique, syncopated pulse. It invites you to lose yourself in its enchanting dance, where each step feels both familiar and new.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El quintillo is an instrumental Tango composed by .
Interpretation of El quintillo
“El quintillo” translates to “The Quintuplet” in English, a term that typically refers to a rhythmic grouping used in music. This name suggests a distinct rhythmic structure, creating an intricate dance of measures that guides the listener through a musical journey. With each note, the listener can envision dancers weaving seamlessly through the melody, characterized by Fresedo’s distinct orchestral style that combines subtlety with emotional depth.
Osvaldo Fresedo and El quintillo
Osvaldo Fresedo, renowned for his refined and sophisticated style, brings “El quintillo” to life with his orchestra. Recorded in 1937, Fresedo’s interpretation likely emphasizes elegance and smoothness, capturing the essence of the tango with a balance of traditional influences and innovative rhythm. Fresedo’s orchestra, known for its polished and delicate execution, adds layers of nuance, ensuring that “El quintillo” is not just heard, but felt deeply, resonating with both passion and precision.