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El porteñito

El porteñito is a Tango written by Ángel Villoldo and recorded by Juan D’Arienzo in 1937. Juan D’Arienzo has recorded El porteñito as an instrumental Tango.
“El porteñito,” translated as “The Little Person from Buenos Aires,” evokes the vibrant essence of its namesake city. This piece captures the youthful spirit and lively streets of Buenos Aires, where the rhythms of tango pulse through every corner. It paints an image of a young, spirited soul dancing through life, embodying the heart and soul of the port city.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Ángel Villoldo

Author

Ángel Villoldo

Composer

1937/8/31

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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El porteñito recorded by other Orchestras

El porteñito recorded by other Orchestras

Letra del Tango El porteñito

Soy nacido en Buenos Aires,
me llaman “El porteñito”,
el criollo más compadrito
que en esta tierra nació.

Y al bailar un tango criollo
no hay ninguno que me iguale
porque largo todo el rollo
cuando me pongo a bailar.

Anda que está lindo el baile!
brindase comadre,
y el compadre…

Soy un taura del noventa,
tiempo bravo del tambito,
bailarín de mucha meta por más seña “El Porteñito”
y al bailar un tango bravo,
lo hago con corte y quebrada
para dejar bien sentada mi fama de bailarín.

English lyrics of the Tango "El porteñito"

I was born in Buenos Aires,
they call me “The Little Porteño,”
the most native tough guy
ever born in this land.

And when dancing a native tango,
there’s no one who can match me,
because I let it all roll
when I start to dance.

Look how beautiful the dance is!
Toast, godmother,
and the godfather…

I’m a tough guy from the nineties,
a fierce time for the young,
a dancer with much aim, better known as “The Little Porteño.”
And when I dance a fierce tango,
I do it with cuts and breaks,
to firmly establish my reputation as a dancer.

El porteñito by Ángel Villoldo

El porteñito is a Tango written by Ángel Villoldo and composed by Ángel Villoldo.

Story behind the Tango El porteñito

El Porteñito, which translates to “The Little Man from Buenos Aires,” is a tango that portrays the deep pride and identity of being from Buenos Aires, Argentina. Ángel Villoldo, often referred to as the father of tango, uses the persona of “El Porteñito” to narrate a story of self-assuredness and skill in the art of tango dancing. The protagonist describes himself as a quintessential “compadrito,” a term that historically described the young men in the city’s lower classes who were known for their flashy attire and street-smart demeanors. This tango is a celebration of cultural pride, the art of dance, and a personal identity deeply rooted in the streets of Buenos Aires.

Symbolism of El porteñito

The recurring use of “compadrito” and “taura” in the lyrics connects deeply to the local jargon, symbolizing the assertive and flamboyant nature of Buenos Aires’ street culture in the early 20th century. The specific mention of dancing “tango criollo” emphasizes a rustic, localized version of tango, further stressing the regional pride. The phrases “largo todo el rollo” and “cuando me pongo a bailar” signify the narrator’s wholehearted commitment and passion when dancing, symbolizing how integral tango is to their expression of identity.

El porteñito in historic Context

Written in 1937, “El Porteñito” emerges during a significant period in Argentine history, post the Infamous Decade, characterized by political upheaval and economic instability. During this era, tango music evolved as a form of escape and a bold statement of cultural identity amidst the socio-political adversities. Buenos Aires was the melting pot of this cultural expression, making it not only a site of political narratives but also of artistic and cultural resurgence. This historic backdrop enhances the defiant and resilient tone of the song, showcasing the dance as an expression of strength and endurance.

Ángel Villoldo

Ángel Villoldo was a pioneering figure in the history of tango, known as “El padre del tango” (The Father of Tango). His compositions helped shape the early soundscape of this iconic dance and music genre.