Fabrice Knecht Tango DJ

El pollo Ricardo

El pollo Ricardo is a Tango written by Luis Alberto Fernandez and recorded by Juan D’Arienzo in 1947. Juan D’Arienzo has recorded El pollo Ricardo as an instrumental Tango.
“El pollo Ricardo,” or “The Chicken Ricardo,” is a lively dance of playful rhythms and spirited tones. Through its vibrant melody, it captures the whimsical strut and cheerful nature of a beloved rooster, embodying the joy of everyday moments. Its infectious energy invites listeners to embrace life’s simple pleasures with open arms and a light heart.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Luis Alberto Fernandez

Composer

1947/5/20

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

José Garcia – El once (A divertirse) – 1943/1/13
José Garcia – Si alguna vez – 1943/12/11
José Garcia – Calla bandoneon – 1944/4/7
José Garcia – Quien no tuvo un amor – 1944/6/1
José Garcia – Turbión de recuerdos – 1944/10/2
Horacio Salgán Y Dante Amicarelli – En bateau – 1970/1/1
Horacio Salgán Y Dante Amicarelli – La sombra de tu sonrisa (The shadow of your smile) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Laura – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Chiclana – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Amarraditos – 1970/1/1
Pedro Laurenz – Flores del alma – 1942/1/7
Pedro Laurenz – Julián – 1925/7/3
Pedro Laurenz – De puro guapo – 1968/12/1
Pedro Laurenz – Nunca es tarde (Todavía estás a tiempo) – 1953/9/22
Pedro Laurenz – Enamorado – 1968/12/1
Cuarteto Aníbal Troilo – La tablada – 1968/8/5
Cuarteto Aníbal Troilo – La cumparsita – 1968/9/11
Cuarteto Aníbal Troilo – Sobre el pucho (Un callejón en Pompeya) – 1968/9/11
Cuarteto Aníbal Troilo – A Pedro Maffia – 1968/9/11
Cuarteto Aníbal Troilo – Toda mi vida – 1968/8/5

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El pollo Ricardo recorded by other Orchestras

El pollo Ricardo recorded by other Orchestras

1947/5/20 – El penado catorce – Juan D-Arienzo
1947/5/19 – Volver – Florindo Sassone
1947/5/19 – Cancion de cuna – Florindo Sassone
1947/5/21 – Alma de bohemio – Cuarteto Tipico Roberto Firpo
1947/5/16 – La entrerriana – Alfredo Gobbi
El pollo Ricardo – 1940/9/23 – Carlos di Sarli – Instrumental
El pollo Ricardo – 1946/3/29 – Carlos di Sarli – Instrumental
El pollo Ricardo – 1951/7/16 – Carlos di Sarli – Instrumental
El pollo Ricardo – 1952/11/12 – Juan D-Arienzo – Instrumental
El pollo Ricardo – 1947/5/20 – Juan D-Arienzo – Instrumental
El pollo Ricardo – 1966/9/30 – Hector Varela – Instrumental
El pollo Ricardo – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
El pollo Ricardo – 1938/5/9 – Quinteto Don Pancho (Francisco Canaro) – Instrumental
El pollo Ricardo – 1962/12/17 – Quinteto Pirincho (Francisco Canaro) – Instrumental

El pollo Ricardo recorded by Juan D’Arienzo

El pollo Ricardo is an instrumental Tango composed by Luis Alberto Fernandez.

Interpretation of El pollo Ricardo

The title “El pollo Ricardo” translates to “Ricardo the Chicken” in English. As an instrumental tango piece, it evokes imagery of lively and spirited movement, characteristic of a playful dance. The vibrant melodies and rhythmic underpinning reflect the bustling personality often associated with a tango, capturing the essence of Ricardo—presumably a character as lively and flamboyant as the music itself. The piece may open with a bold introduction, setting a whimsical tone, followed by intricate musical exchanges between the orchestra sections, mimicking the playful yet determined nature of a chicken’s antics.

Juan D’Arienzo and El pollo Ricardo

Under the baton of Juan D’Arienzo, known as the “King of the Beat,” “El pollo Ricardo” becomes an electrifying tango interpretation. D’Arienzo’s orchestra likely emphasizes the rhythm, offering a dance-inspiring version with pulsating beats that energize the audience, making it a staple in the tango dance floors. D’Arienzo’s tightly-knit and dynamic style brings out the lively essence of Ricardo’s character, solidifying the piece as a lively classic in tango music history.