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El pollo Ricardo

El pollo Ricardo is a Tango written by Luis Alberto Fernandez and recorded by Carlos di Sarli in 1946. Carlos di Sarli has recorded El pollo Ricardo as an instrumental Tango.
“El Pollo Ricardo,” translated to English as “The Chicken Ricardo,” evokes a lively rhythm, much like a dance among feathers and feet. This title could symbolize an energetic and vibrant personality, connecting the spirit of a playful tango with the essence of freedom. Perhaps it’s a playful nod to a character who, like the music, knows how to captivate a room.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Author

Luis Alberto Fernandez

Composer

1946/3/29

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

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El pollo Ricardo recorded by other Orchestras

El pollo Ricardo recorded by other Orchestras

El pollo Ricardo recorded by Carlos di Sarli

El pollo Ricardo is an instrumental Tango composed by Luis Alberto Fernandez.

Interpretation of El pollo Ricardo

The name “El pollo Ricardo” translates to “Ricardo’s Chicken” in English. This instrumental tango likely uses its whimsical title to evoke imagery of a lively, confident, and maybe even boastful character, much like a proud rooster. The orchestra, under Carlos di Sarli’s direction, might create a playful yet sophisticated soundscape, starting with a sprightful and cheeky melody representing the rooster’s strut. The rhythm would then intensify, capturing the fervent energy of a tango dance. The music’s ebbs and flows could symbolize moments of rivalry or flirtation, with instruments like the bandoneón and violins accentuating these dramatic flares. Overall, “El pollo Ricardo” becomes not just a piece of music but an auditory journey through a scene where a proud figure captivates attention and indulges in the vibrant life of a tango.

Carlos di Sarli and El pollo Ricardo

Carlos di Sarli, a prominent figure in the golden age of tango, infuses “El pollo Ricardo” with his signature style characterized by elegance and precision. Di Sarli’s orchestra is known for its smooth, flowing interpretations, providing a framework where each instrument harmonizes perfectly. In “El pollo Ricardo,” the bandoneón and piano likely lead the way, weaving a tale that is both charming and animated, highlighting the unique flair only di Sarli’s ensemble could deliver. The arrangement might showcase rhythmic sophistication and melodic richness that captures the quirks and charms suggested by the title.