El pollito is a Tango written by Francisco Canaro and recorded by Juan D’Arienzo in 1965. Juan D’Arienzo has recorded El pollito as an instrumental Tango.
“El Pollito,” which translates to “The Little Chick,” evokes images of life and vitality springing forth with every playful note. The piece dances with the innocence and curiosity of a young chick exploring the world for the first time. Its melody captures the tender, fleeting moments of growth, awakening a sense of joy and wonder in the heart of the listener.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El pollito is an instrumental Tango composed by Francisco Canaro.
Interpretation of El pollito
“El pollito,” translated to English as “The Little Chick,” conjures an image of a young, lively chick, embodying innocence and playful energy. As an instrumental tango, this piece likely captures the sprightly and spontaneous movements typical of a chick’s behavior. The music can be expected to feature fast-paced rhythms and a joyful melody, showcasing vibrant violin accents and sharp bandoneon notes typical of tango music. Its lively tempo invites listeners to imagine a bustling barnyard scene, full of charm and life.
Juan D’Arienzo and El pollito
Known as “El Rey del Compás” or “The King of Rhythm,” Juan D’Arienzo’s orchestra would bring a unique and dynamic interpretation to “El pollito.” D’Arienzo’s signature style involves brisk tempos and energetic arrangements, which would perfectly suit the lively theme of a little chick. His orchestra’s rendition would likely emphasize strong rhythmic articulation and a danceable beat, captivating dancers and listeners alike with its vivacious spirit and precise execution, making “El pollito” a joyful and engaging piece in his repertoire.