Fabrice Knecht Tango DJ

El pollito

El pollito is a Tango written by Francisco Canaro and recorded by Carlos di Sarli in 1951. Carlos di Sarli has recorded El pollito as an instrumental Tango.
“El Pollito” translates to “The Little Chick” in English. This vibrant piece captures the playful spirit and innocence of a tiny chick exploring the world. With each note, it conveys the joy of discovery and the gentle energy of a young life learning to dance amidst the vastness of the world around it.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Author

Francisco Canaro

Composer

1951/12/6

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El pollito recorded by other Orchestras

El pollito recorded by other Orchestras

El pollito recorded by Carlos di Sarli

El pollito is an instrumental Tango composed by Francisco Canaro.

Interpretation of El pollito

“El pollito,” translating to “The Chick” in English, suggests a light and playful character as an instrumental piece. Imagine the music starting with a gentle, soft melody, emulating the delicate and timid steps of a newly hatched chick exploring its surroundings. The piano might introduce a simple, rhythmic foundation, reminiscent of pecking motions, while the violins and bandoneon gradually build in complexity and volume, reflecting the growing curiosity and energy of the chick as it becomes more confident. The piece could include playful motifs and cheerful crescendos, capturing the innocence and joy of youth found in the early life discoveries of a small chick. The light-hearted, spirited nature of “El pollito” is mirrored in lively tempos and dynamic orchestrations that paint a charming picture of the little protagonist navigating its newfound world.

Carlos di Sarli and El pollito

Carlos di Sarli, known for his sophisticated and polished style, brings a unique interpretation to “El pollito.” His orchestra’s rendition would likely emphasize the romantic and melodic elements of the tango, perhaps infusing it with a touch of elegance and refinement characteristic of Di Sarli’s signature sound. The interplay between the piano and the bandoneon would be smooth and harmonious, maintaining a fluid rhythm while highlighting the cheerful and whimsical essence of the composition. Di Sarli’s arrangement would ensure that each instrument contributes to a cohesive narrative, painting a vivid auditory picture of a playful chick dancing to its own tune. The orchestra’s precision and emotive expression in “El pollito” would offer listeners a delightful, captivating experience, embodying both the simplicity and vitality of its titular inspiration.