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El pollito

El pollito is a Tango written by Francisco Canaro and recorded by Carlos di Sarli in 1947. Carlos di Sarli has recorded El pollito as an instrumental Tango.
“El pollito,” which translates to “The Little Chick,” is a lively dance of innocence and curiosity. This piece captures the playful spirit of a chick exploring the world, each note mirroring its tentative yet joyous steps. Through vibrant melodies and rhythmic patterns, it celebrates the charm of life’s simple beginnings, embodying wonder and discovery.

Tango

Style

Carlos di Sarli

Orchestra

Instrumental

Singer

Author

Francisco Canaro

Composer

1947/4/24

Date

Instrumental
Instrumental
Carlos di Sarli
Carlos di Sarli

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El pollito recorded by other Orchestras

El pollito recorded by other Orchestras

El pollito recorded by Carlos di Sarli

El pollito is an instrumental Tango composed by Francisco Canaro.

Interpretation of El pollito

Translated to English, “El pollito” means “The Little Chick.” As an instrumental tango, this piece likely captures the playful and lively nature associated with its title. One can imagine the delicate and quick movements of a young chick, reflected in the brisk and lively rhythm characteristic of tango music. The orchestra would employ dynamic shifts, perhaps beginning with a gentle, pecking melody that gradually builds into a more robust and energetic dance, much like a chick exploring its world. The music could incorporate whimsical, chirping staccatos alongside sweeping, legato phrases that suggest the chick’s curiosity and innocence. Throughout the composition, the listener experiences a narrative of growth and exploration, with the band’s instruments mimicking the unpredictable yet charming behavior of a chick discovering its environment.

Carlos di Sarli and El pollito

Carlos di Sarli’s orchestra would bring “El pollito” to life with their signature elegance and rhythmic precision. Di Sarli was known for his refined, almost orchestral approach to tango music, emphasizing clear melodies and lush harmonies. His band would likely deliver “El pollito” with a smooth yet lively interpretation, balancing playfulness with the sophistication of di Sarli’s style. This recording would emphasize the sweet, melodic lines typical of his music, while the rhythmic section provides a steady yet buoyant foundation. The precision of di Sarli’s arrangement would highlight the intricate nuances of Canaro’s composition, making “El pollito” a delightful addition to any tango repertoire.