El pial is a Tango written by Agustín Bardi and recorded by Alfredo De Angelis in 1945. Alfredo De Angelis has recorded El pial as an instrumental Tango.
“El pial,” which translates to “The Lasso” in English, evokes imagery of a dance between man and beast, a masterful display of skill and precision. In the music’s rhythmic embrace, each note loops and binds, capturing the essence of a fleeting moment. The melody weaves tales of grace and timeless tradition, where freedom and restraint elegantly entwine.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El pial is an instrumental Tango composed by Agustín Bardi.
Interpretation of El pial
The name “El pial” translates to “The Lasso,” which evokes imagery of precision, skill, and a dynamic interplay akin to the art of roping. As an instrumental Tango, “El pial” captures the exhilarating feeling of mastering a complex dance, where each note signifies the elegant twirl of lassos in mid-air. The rhythm reflects a spirited chase, with each instrument contributing to the vivid tapestry of pursuit and capture, striking a balance between spontaneity and control, much like the dance of two skilled partners.
Alfredo De Angelis and El pial
When performed by Alfredo De Angelis and his orchestra, “El pial” is infused with De Angelis’s signature style that blends rich harmonies with a rhythmic vitality, bringing Bardi’s composition to life. His interpretation prioritizes an emotive execution, with the violin and bandoneón playing pivotal roles in delivering the narrative. The arrangement’s lush soundscape celebrates the nuances of Argentine Tango, and through De Angelis’s deft conducting, “El pial” becomes a vivid homage to both the tradition and artistry of this timeless dance.