Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El Nene del Abasto is a Tango written by Raúl Hormaza and composed by Eladio Blanco.
This tango narrates the life and experiences of a man from the Abasto neighborhood, known both as “El Nene” (the Kid) and “El Pesao” (the Heavy). The lyrics outline his reputation in the criminal underworld, detailing his past actions and current status. “El Nene” describes his involvement in various illegal activities and positions himself as available for hire, underscoring his expertise in the darker aspects of street life.
Several symbols and language choices enhance the narrative’s depth. Terms such as “raje” (on the run) and “sin vento” (without money) paint his economic struggles, while “patente” (license) ironically suggests a formal recognition of his criminal skills. Key phrases like “debuté por ley de juego” (I debuted by the law of the game) symbolize his initiation into crime as a norm, reflecting the harsh realities of street life. Additionally, his stint in prison (“diez pepinos en Las Heras”) metaphorically feeds him with the bitter cucumbers of punishment, while he uses street slang to convey his various criminal skills, painting a vivid picture of his daily environment.
Recorded in 1951, post-World War II Argentina was marked by significant social and political changes, impacting narratives in tango music. This period experienced an influx in urbanization, which often led to increased crime rates and societal clashes reflected in the lyrics. Abasto, being a central market area in Buenos Aires, would have been a melting pot of culture but also criminal activities, likely influencing the depiction of street life and criminal notoriety in the song.
Raúl Hormaza, a notable figure in the tango world, is masterful in weaving intricate stories of the Buenos Aires’ underworld through his lyrics.