Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El milagro is a Tango written by and composed by Armando Pontier.
El milagro tells a poignant story of emotional rebirth, capturing the struggle and triumph over past pain. The narrator, who has suffered immensely from past errors, describes a renewed life filled with love. The metaphorical rebirth, referred to as a “miracle,” signals a dramatic transformation from a life full of regret and sorrow to one embracing new love and hope. The title “El milagro,” meaning “The Miracle,” signifies an unexpected and divine change in fortune.
The lyrics utilize powerful symbolism such as “rama seca” (dry branch) representing a heart worn by past experiences, and “nidos en los árboles” (nests in the trees), signifying new beginnings and life. The phrase “nos habían suicidado los errores del pasado” (our past errors had killed us) underscores the depth of prior suffering, while the image of a “clavel” (carnation) at the window symbolizes hope and renewed emotion. The words “Dios sabe el pasado y el milagro pudo ser” (God knows the past, and the miracle could be) highlight a sense of divine intervention or fate in altering the narrator’s life path.
Set in Buenos Aires in 1947, a bustling city known for its rich cultural tapestry and vibrant tango scene, El milagro captures post-war sentiments of hardship and resilience. This was a time when Argentina was navigating economic challenges and social change, conditions that often seep into the passionate, introspective nature of tango. The narrative’s transition from despair to rejuvenation aligns with the city’s rebirth and aspiration for a brighter future during this period.
Armando Pontier was a renowned Argentine composer and bandleader, celebrated for his significant contributions to the tango genre, blending traditional elements with innovative compositions.