Fabrice Knecht Tango DJ

El marne

El marne is a Tango written by Eduardo Arolas and recorded by Osvaldo Pugliese in 1969. Osvaldo Pugliese has recorded El marne as an instrumental Tango.
The piece titled “El marne,” which translates to “The Marne” in English, invokes the spirit of a historic river echoing with memories of trials and triumphs. This evocative tango captures the dance between past and present, flowing through rhythms that ripple like the water’s edge. It invites listeners to journey along the banks of time, where every note is a bridge to forgotten dreams.

Tango

Style

Osvaldo Pugliese

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1969/6/1

Date

Instrumental
Instrumental
Osvaldo Pugliese
Osvaldo Pugliese

Discover Other Orchestras

Armando Pontier – Tierra adentro – 1968/4/29
Armando Pontier – Sentimiento gaucho – 1958/5/16
Armando Pontier – Es tu imagen – 1968/9/17
Armando Pontier – Bésame mi amor – 1957/7/22
Armando Pontier – Pura clase – 1956/1/18
Roberto Firpo – Los claveles de la virgen – 1931/8/13
Roberto Firpo – El favorito (2) – 1929/8/21
Roberto Firpo – La reina de momo – 1930/5/28
Roberto Firpo – Cosas olvidadas – 1940/9/28
Roberto Firpo – Que salga el toro – 1927/11/16
Enrique Rodríguez – Con tu mirar – 1941/9/24
Enrique Rodríguez – Titina – 1955/3/11
Enrique Rodríguez – La racha – 1957/5/20
Enrique Rodríguez – Anselmo Laguna – 1945/8/22
Enrique Rodríguez – Canción de cuna – 1946/11/13
Ricardo Malerba – A bailar – 1943/11/8
Ricardo Malerba – Oración peruana – 1956/6/1
Ricardo Malerba – Historia de un amor – 1956/3/16
Ricardo Malerba – Triste revelacion – 1944/6/30
Ricardo Malerba – Oiga mozo – 1942/11/19

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El marne recorded by other Orchestras

El marne recorded by other Orchestras

1969/6/1 – Cancion para un nino negro – Osvaldo Pugliese
1969/6/1 – Ciudad triste – Osvaldo Pugliese
1969/5/27 – Cancion desesperada – Miguel Calo
1969/5/27 – Rondando tu esquina – Miguel Calo
1969/6/16 – Dilema y razon – Enrique Rodriguez
El marne – 1939/5/4 – Juan D-Arienzo – Instrumental
El marne – 1954/12/10 – Juan D-Arienzo – Instrumental
El marne – 1950/12/28 – Juan D-Arienzo – Instrumental
El marne – 1967/11/29 – Anibal Troilo – Instrumental
El marne – 1969/6/1 – Osvaldo Pugliese – Instrumental
El marne – 1980/6/27 – Osvaldo Fresedo – Instrumental
El marne – 1967/5/9 – Hector Varela – Instrumental
El marne – 1957/1/1 – Astor Piazzolla – Instrumental
El marne – 1947/9/18 – Osmar Maderna – Instrumental
El marne – 1958/6/12 – Armando Pontier – Instrumental
El marne – 1963/1/1 – Horacio Salgan – Instrumental
El marne – 1953/9/2 – Horacio Salgan – Instrumental
El marne – 1933/5/24 – Orquesta Tipica Victor – Instrumental

El marne recorded by Osvaldo Pugliese


El marne is an instrumental Tango composed by Eduardo Arolas.



Interpretation of El marne


The name “El marne,” translated to English, refers to the Marne River in France, which was a pivotal location during World War I. As an instrumental tango, “El marne” performed by Osvaldo Pugliese’s orchestra may evoke the emotional and historical weight of its namesake through its complex rhythms and rich harmonies. The music might evoke a sense of poignant nostalgia and deep reflection, representative of the tango’s characteristic blend of passion and melancholy. The piece could progress from soft, contemplative passages to intense crescendos, mirroring the emotional journey and memories linked to the historical events of the Marne.



Osvaldo Pugliese and El marne


Osvaldo Pugliese, renowned for his unique interpretations that add depth and intensity to classic tangos, brings “El marne” to life with his signature style. His arrangement could infuse the piece with dramatic timing and emotional depth, emphasizing the contrast between quiet introspection and dynamic passages. Pugliese’s orchestra is known for its precise yet deeply emotional renditions, capable of transforming a tango into a storytelling experience that resonates with listeners, drawing them into the historical and emotional tapestry suggested by the title.