Fabrice Knecht Tango DJ

El marne

El marne is a Tango written by Eduardo Arolas and recorded by Héctor Varela in 1967. Héctor Varela has recorded El marne as an instrumental Tango.
The piece “El Marne,” meaning “The Marne” in English, echoes the flowing essence of a timeworn river. In its melody, you hear tales of resilience and the delicate dance of fate and history. Each note, like a ripple, carries whispers of past battles and the enduring spirit of those who thrived on its banks.

Tango

Style

Héctor Varela

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1967/5/9

Date

Instrumental
Instrumental
Héctor Varela
Héctor Varela

Discover Other Orchestras

Edgardo Donato – Rosa poneme una ventosa – 1935/3/21
Edgardo Donato – El estagiario – 1938/2/5
Edgardo Donato – Sencillo pero vistoso – 1956/4/16
Edgardo Donato – Quién será – 1941/10/13
Edgardo Donato – De ande yerba – 1934/12/19
Enrique Francini – Retintín – 1977/1/1
Enrique Francini – Mientras viva – 1957/9/18
Enrique Francini – Chiqué – 1970/5/20
Enrique Francini – Ojos negros – 1977/1/1
Enrique Francini – La cumparsita – 1977/1/1
Osvaldo Pugliese – Sin gritar – 1967/5/1
Osvaldo Pugliese – Por qué canto el tango – 1950/6/30
Osvaldo Pugliese – Orlando Goñi – 1965/10/1
Osvaldo Pugliese – Muchachos mi último tango – 1956/5/30
Osvaldo Pugliese – Shusheta (El aristócrata) – 1970/1/1
Florindo Sassone – El choclo – 1962/10/5
Florindo Sassone – Y mientes todavia – 1950/11/29
Florindo Sassone – El choclo – 1973/1/1
Florindo Sassone – Los pescadores de perlas (Les pêcheurs de perles) – 1968/8/30
Florindo Sassone – Don Naides – 1951/11/21

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El marne recorded by other Orchestras

El marne recorded by other Orchestras

1967/5/9 – La maleva – Hector Varela
1967/5/15 – Cafetin de Buenos Aires – Miguel Calo
1967/5/15 – Tu piel de jazmin – Miguel Calo
1967/5/16 – La cachila – Hector Varela
1967/5/1 – Sin gritar – Osvaldo Pugliese
El marne – 1939/5/4 – Juan D-Arienzo – Instrumental
El marne – 1954/12/10 – Juan D-Arienzo – Instrumental
El marne – 1950/12/28 – Juan D-Arienzo – Instrumental
El marne – 1967/11/29 – Anibal Troilo – Instrumental
El marne – 1969/6/1 – Osvaldo Pugliese – Instrumental
El marne – 1980/6/27 – Osvaldo Fresedo – Instrumental
El marne – 1967/5/9 – Hector Varela – Instrumental
El marne – 1957/1/1 – Astor Piazzolla – Instrumental
El marne – 1947/9/18 – Osmar Maderna – Instrumental
El marne – 1958/6/12 – Armando Pontier – Instrumental
El marne – 1963/1/1 – Horacio Salgan – Instrumental
El marne – 1953/9/2 – Horacio Salgan – Instrumental
El marne – 1933/5/24 – Orquesta Tipica Victor – Instrumental

El marne recorded by Héctor Varela


El marne is an instrumental Tango composed by Eduardo Arolas.



Interpretation of El marne

El marne, translated to English as “The Marne,” evokes imagery of dynamic and intense emotions through its powerful instrumental arrangement. The music mirrors a battlefield of feelings, analogous to the historic Battle of the Marne. The orchestra’s strings and bandoneóns intertwine to create a melodic dance that reflects the tension and resolution of such a historic clash. The composition captures a balance of somber melancholy and thrilling crescendos, transporting the listener to a vivid emotional tapestry.



Héctor Varela and El marne

Under the direction of Héctor Varela, the Tango “El marne” comes alive with distinctive flair and passionate precision. Varela’s orchestra delivers the piece with a finesse that underscores the depth of Arolas’ composition. The synergy of the traditional tango orchestra, with its characteristic rhythms and emotive expressions, allows Varela’s rendition of “El marne” to stand out as a homage to both the composer’s vision and the evocative historical references within the music.