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El marne

El marne is a Tango written by Eduardo Arolas and recorded by Juan D’Arienzo in 1939. Juan D’Arienzo has recorded El marne as an instrumental Tango.
The Spanish name “El Marne” translates to “The Marne” in English. This evocative title conjures images of a winding river, a witness to both the serenity of nature and the tumultuous echoes of history. It carries the weight of past battles, yet gently cradles tales of resilience and renewal in its flowing melody.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1939/5/4

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Alfredo Gobbi – Calla – 1956/9/18
Alfredo Gobbi – Y algún día – 1957/4/16
Alfredo Gobbi – A media luz – 1955/6/30
Alfredo Gobbi – La número cinco – 1951/6/27
Alfredo Gobbi – El Incendio – 1948/4/13
Edgardo Donato – Así es el tango – 1937/2/12
Edgardo Donato – La chacarera – 1931/1/1
Edgardo Donato – Mano brava (3) – 1931/1/1
Edgardo Donato – El amor hace fruncir – 1931/1/1
Edgardo Donato – Granada – 1932/1/1
José Basso – Estaba bien seguro – 1964/1/1
José Basso – Mientras tú no llegas – 1966/1/1
José Basso – Nonino – 1962/1/1
José Basso – Felicia – 1970/1/1
José Basso – Te pregunto – 1963/1/1
Quinteto Real (Horacio Salgán) – Loca de amor (La loca de amor) – 1964/1/1
Quinteto Real (Horacio Salgán) – Taquito militar – 1964/1/1
Quinteto Real (Horacio Salgán) – El pollo Ricardo – 1964/1/1
Quinteto Real (Horacio Salgán) – Pobre gallo Bataraz – 1960/1/1
Quinteto Real (Horacio Salgán) – El amanecer – 1964/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El marne recorded by other Orchestras

El marne recorded by other Orchestras

1939/5/4 – Recuerdos de la Pampa – Juan D-Arienzo
1939/5/8 – Ali Baba – Orquesta Tipica Victor
1939/5/8 – Vuelve otra vez – Orquesta Tipica Victor
1939/4/27 – Campo afuera – Rodolfo Biagi
1939/4/27 – La novena – Rodolfo Biagi
El marne – 1939/5/4 – Juan D-Arienzo – Instrumental
El marne – 1954/12/10 – Juan D-Arienzo – Instrumental
El marne – 1950/12/28 – Juan D-Arienzo – Instrumental
El marne – 1967/11/29 – Anibal Troilo – Instrumental
El marne – 1969/6/1 – Osvaldo Pugliese – Instrumental
El marne – 1980/6/27 – Osvaldo Fresedo – Instrumental
El marne – 1967/5/9 – Hector Varela – Instrumental
El marne – 1957/1/1 – Astor Piazzolla – Instrumental
El marne – 1947/9/18 – Osmar Maderna – Instrumental
El marne – 1958/6/12 – Armando Pontier – Instrumental
El marne – 1963/1/1 – Horacio Salgan – Instrumental
El marne – 1953/9/2 – Horacio Salgan – Instrumental
El marne – 1933/5/24 – Orquesta Tipica Victor – Instrumental

El marne recorded by Juan D’Arienzo

El marne is an instrumental Tango composed by Eduardo Arolas.

Interpretation of El marne

“El marne,” when translated into English, refers to “The Marne,” which could evoke the river in France that played significant roles in World War I battles. As an instrumental tango, “El marne” might encapsulate a journey of emotions through its rhythmic cadence and evocative melodies, offering listeners a musical reflection on the mixture of tranquility and turbulence that a river could symbolize.

Juan D’Arienzo and El marne

Under the direction of Juan D’Arienzo, known for his energetic and precise orchestral style, “El marne” is transformed into a lively and mesmerizing piece. The crisp staccato arrangements and animated rhythms illustrate D’Arienzo’s signature style, bringing a dynamic and vivid interpretation of Eduardo Arolas’s composition to life.