Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El mareo is a Tango written by Mario César Gomila and composed by Julio De Caro.
“El mareo,” directly translating to “The Dizziness” from Spanish, effectively encapsulates a whirlwind of emotions experienced due to a profound betrayal. The lyrics paint a picture of deep emotional turmoil and suffering inflicted by a loved one’s treachery. The speaker tells about the profound impact of this betrayal, hinting at the sense of confusion and helplessness, akin to dizziness, that it brought into their life. This internal chaos is portrayed through the intense struggle between the will to forgive and the inability to forget the pain.
The lyrics repeatedly symbolize the emotional ‘dizziness’ that comes from being unable to leave despite continuous suffering. Phrases like “Es un mareo feroz,” and “Dulce herida de mi amor,” conjure the image of a wound that is both painful yet strangely sweet, pointing to the complexities of love and attachment. Moreover, the heart being convinced to forgive “te sigue con su perdón,” highlights the internal conflict and the overpowering nature of heartfelt but scarred affections. These symbolic elements within the tango reflect the paradox of desiring closeness while simultaneously feeling the sting of past betrayals.
Recorded in 1933, during a period when Argentina was marked by political and economic fluctuations, “El mareo” might also resonate with the broader experience of uncertainty and social upheaval. During times of such external instability, personal betrayals could reflect broader societal experiences, making the tango relatable on numerous levels. The tango, as a cultural expression, often mirrored the vicissitudes of life during its era, and “El mareo,” with its themes of betrayal, pain, and forgiveness, captures this essence dynamically.
Mario César Gomila, alongside composer Julio De Caro, enriched Argentinean tango culture with heartfelt and evocative compositions like “El mareo.”