Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El llorón is a Tango written by Enrique Cadícamo and composed by Juan Maglio.
The Tango, El llorón, which translates to “The Crybaby,” features lyrics that reflect a playful and self-aware interpretation of love and seduction. It tells the story of an individual who is openly emotional, acknowledging their tears as a strategy to win over women. The protagonist’s propensity to cry, rather than being a sign of weakness, is presented as a unique tool in the romantic conquest. This approach suggests a reversal of traditional masculine norms, where vulnerability is leveraged as an emotional strength.
The recurring motif of tears in “El llorón” stands out as a symbol of emotional intelligence and strategy rather than mere sensitivity. The juxtaposition of crying with successful “conquest” challenges societal expectations of male behavior, offering a deeper reflection on the complexities of masculine identity. The repeated refrain “siempre siempre primero yo,” which emphatically means “always, always me first,” underscores a blend of egotism with a candid admission of emotional tactics in romantic pursuits.
Recorded in 1970, a period of significant social and political shifts in Argentina, “El llorón” might subtly mirror the transformations in societal views regarding gender roles and emotional expression. The late 20th century saw evolving norms around masculinity, and the tango could be seen as either a critique of, or an adaptation to, these changing attitudes. The playful tone and vivid descriptions connect with the broader tradition of Tango, which often encapsulates complex emotional narratives within its rhythmic structure and culturally rich lyrics.
Enrique Cadícamo was a prominent Argentine lyricist and playwright, noted for his significant contributions to the Tango genre.