El jagüel is a Tango written by Carlos Posadas and recorded by Carlos di Sarli in 1956. Carlos di Sarli has recorded El jagüel as an instrumental Tango.
“El jagüel,” translated as “The Waterhole,” evokes the tranquil sanctuary where the land meets life-giving water. In the cadence of this piece, one hears the pulsating rhythm of creatures gathering, a reflection of unity and respite. The melody captures the essence of vitality, a dance of survival and solace in the heart of the wilderness.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El jagüel is an instrumental Tango composed by Carlos Posadas.
Interpretation of El jagüel
In Spanish, “El jagüel” means “The Well” in English. As an instrumental composition interpreted by the renowned Tango orchestra of Carlos di Sarli, this piece could evoke the atmosphere of a reflective journey to a rural water source. The striking melodies and rhythms might emulate the shimmering mirage of water in the distance and the serene but persistent flow of life around an essential oasis. The orchestra could interpret the depth and mystery of the well, where the deeper strings symbolize the shadows, while the brighter, higher-pitched instruments capture the surface’s inviting sparkle. This composition might convey a dance of anticipation and relief, mirroring the life-giving and enigmatic qualities of a well amidst an open landscape.
Carlos di Sarli and El jagüel
Carlos di Sarli, known for his elegant and polished approach to Tango, would breathe life into “El jagüel” with his orchestra’s characteristic style. His interpretation might emphasize smooth, flowing lines paired with dynamic pauses that suggest the gentle, rhythmic draw of water being lifted from its depths. Di Sarli’s piano overlay could provide a contemplative narrative, guiding the listener through an immersive experience that captures both the beauty and utility of the well. With his orchestra’s distinctive sound, di Sarli would aim to present “El jagüel” not just as a composition but as an evocative ambient scene, steeped in cultural resonance and emotional depth.