Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El esquinazo is a Tango written by Carlos Pesce and composed by Ángel Villoldo.
“El esquinazo” depicts a narrative of heartbreak and disillusionment in love, capturing a poignant moment of farewell where past affections and promises dissolve. The speaker expresses a profound realization of betrayal, yet, in the face of this hurt, they decide to part ways in a definitive gesture of ‘el esquinazo’, translating to turning at the corner or giving the cold shoulder. This act signifies a sharp, final goodbye, emphasizing the emotional severance with the past.
The use of specific phrases like “el libro del recuerdo” (the book of memory) and “las flores del olvido” (the flowers of forgetfulness) symbolizes the dichotomy of holding onto memories while trying to forget the pain inflicted. The lyric “tu más injusta falsedad” highlights the depth of perceived betrayal, accusing the other of profound dishonesty despite deep emotional investment (“si tanto… te quería”). This portrays the inner conflict between cherished moments and the pain they now represent.
Recorded just before the outbreak of World War II, “El esquinazo” reflects a period of global uncertainty that aligns with the personal turmoil and disillusionment expressed in the lyrics. 1939 Argentina, while culturally rich, was also a time of political and social upheaval. Such an environment could heighten personal emotions, making themes of betrayal and final goodbyes particularly resonant in the tango, which itself acts as a cultural expression of deeper emotional currents.
Carlos Pesce was a lyricist known for contributing to the rich tradition of tango music in Argentina, aligning complex emotional themes with engaging musical compositions.