Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El entrerriano is a Tango written by an unnamed author and composed by Rosendo Mendizábal.
“El entrerriano” paints a vivid picture of a character from the province of Entre Ríos who is deeply embedded in the tango culture of Buenos Aires. The lyrics offer insight into the lifestyle and spirit of a “milonguero”—a skilled dancer of the tango. The “Entrerriano” identifies himself as both a provincial man and a daring “compadrito,” engaging in the vibrant and sometimes dangerous world of tango dancers in the city. His confidence and pride are evident as he claims mastery in dance and love, portraying himself as fearless and passionate in the face of life’s challenges.
The tango’s central themes revolve around identity, pride, love, and dance. The “Entrerriano” symbolizes the audacious and romantic spirit typical of the tango world. Key phrases such as “milonguero y provinciano” and “compadrito” underscore the character’s dual heritage of rural origin and urban tango prowess. The “tajitos” mentioned signify the scars or cuts, possibly from knife fights, highlighting a life full of bravado and resilience. Dancing “apretando el corazón” evokes an intense, passionate embrace, revealing a profound connection through dance. The “milonga del amor” symbolizes the dance as an expression of love, while “todo corazón para el amor” highlights the speaker’s wholehearted dedication to both dance and romantic pursuits.
The tango emerged in the late 19th century within the working-class districts of Buenos Aires. “El entrerriano,” composed at the turn of the 20th century, captures this era’s blend of European immigrant influences and Argentine culture. The reference to “Sur” and “Norte” likely denotes the diverse neighborhoods and social divides in Buenos Aires, emphasizing the cultural melting pot that shaped the tango’s evolution. The “gotán” is a colloquial term for tango, reflecting the vernacular and playful linguistic twist typical of Buenos Aires’ lunfardo slang. The character from Entre Ríos represents the migration of provincial people to the city, contributing to the rich tapestry of the tango community.
Rosendo Mendizábal was a notable Argentine musician and composer, recognized for his contributions to the early development of tango music in Buenos Aires during the late 1800s and early 1900s.