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El entrerriano

El entrerriano is a Tango written by Rosendo Mendizabal and recorded by Juan D’Arienzo in 1954. Juan D’Arienzo has recorded El entrerriano as an instrumental Tango.
“The Entrerriano,” or “The Man from Entre Ríos,” evokes the spirit of the Argentine province, a land rich with tradition and raw beauty. This piece captures the heart of its people—resilient and rooted, yet ever-dancing between past and future. It celebrates the vibrant soul of Entre Ríos, where the tango’s rhythm mirrors the gentle flow of its rivers.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Homero Exposito

Author

Rosendo Mendizabal

Composer

1954/4/29

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Horacio Salgán – Alicia – 1965/1/1
Horacio Salgán – Mano brava – 211/12/1
Horacio Salgán – La clavada – 1950/5/4
Horacio Salgán – Tango del balanceo – 1963/1/1
Horacio Salgán – Por el camino (Zamba del boyero) – 1954/1/1
Cuarteto Aníbal TROILO – La trampera – 1969/7/30
Cuarteto Aníbal TROILO – Los mareados – 1968/9/11
Cuarteto Aníbal TROILO – Milonguero triste – 1969/7/30
Cuarteto Aníbal TROILO – Sobre el pucho (Un callejón en Pompeya) – 1968/9/11
Cuarteto Aníbal TROILO – Nocturno a mi barrio – 1969/7/30
José Basso – Atrévete – 1965/1/1
José Basso – Tarareando – 1965/1/1
José Basso – Organito de la tarde – 1970/1/1
José Basso – Canción de Ave María – 1964/1/1
José Basso – Cobrate y dame el vuelto – 1961/4/14
Armando PONTIER – Verdemar – 1960/7/21

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El entrerriano recorded by other Orchestras

El entrerriano recorded by other Orchestras

1954/4/29 – Tu boca mintio (No me mires) – Juan D-Arienzo
1954/4/29 – Ahi esta – Juan D-Arienzo
1954/4/29 – Te odio y te quiero – Juan D-Arienzo
1954/4/29 – Felicia – Juan D-Arienzo
1954/4/29 – El torito – Juan D-Arienzo
El entrerriano – 1944/6/26 – Anibal Troilo – Instrumental
El entrerriano – (unknown date) – Anibal Troilo – Instrumental
El entrerriano – 1954/4/29 – Juan D-Arienzo – Instrumental
El entrerriano – 1946/8/26 – Juan D-Arienzo – Instrumental
El entrerriano – 1963/12/4 – Juan D-Arienzo – Instrumental
El entrerriano – 1968/11/1 – Osvaldo Pugliese – Instrumental
El entrerriano – 1927/3/23 – Osvaldo Fresedo – Instrumental
El entrerriano – 1944/4/26 – Osvaldo Fresedo – Instrumental
El entrerriano – 1979/10/31 – Osvaldo Fresedo – Instrumental
El entrerriano – 1941/1/14 – Rodolfo Biagi – Instrumental
El entrerriano – 1946/1/7 – Alfredo De Angelis –
El entrerriano – 1957/3/29 – Hector Varela – Instrumental
El entrerriano – 1957/1/1 – Astor Piazzolla – Instrumental
El entrerriano – 1940/8/29 – Cuarteto Tipico Roberto Firpo – Instrumental
El entrerriano – 1952/9/17 – Francini-Pontier – Instrumental
El entrerriano – 1957/8/9 – Armando Pontier – Instrumental
El entrerriano – 211/12/1 – Horacio Salgan – Instrumental
El entrerriano – 1963/1/1 – Horacio Salgan – Instrumental
El entrerriano – 1927/7/11 – Orquesta Tipica Victor – Instrumental

Letra del Tango El entrerriano

Sabrán que soy el Entrerriano,

que soy

milonguero y provinciano,

que soy también

un poquito compadrito

y aguanto el tren

de los guapos con tajitos.

Y en el vaivén

de algún tango de fandango,

como el querer

voy metiéndome hasta el mango,

que pa’l baile y pa’l amor

sabrán que soy

siempre el mejor.



¿Ven, no ven lo que es bailar así,

llevándola juntito a mí

como apretando el corazón?…

¿Ven, no ven lo que es llevarse bien

en las cortadas del querer

y en la milonga del amor?…



Todo corazón para el amor

me dio la vida

y alguna herida

de vez en vez,

para saber lo peor.

Todo corazón para bailar

haciendo cortes

y al Sur y al Norte

sulen gritar

que el Entrerriano es el gotán.

English lyrics of the Tango "El entrerriano"

They’ll know that I’m the man from Entre Ríos,

that I am

a milonguero and a provincial,

that I am also

a bit of a tough guy

and can hold my own

in the push and shove

of the brash with their tricks.

And in the swaying

of some fandango tango,

like in love

I throw myself into it fully,

for dancing and for love

they’ll know I am

always the best.



See, don’t you see what it’s like to dance like this,
holding her close to me
as if squeezing the heart?…
See, don’t you see what it’s like to get along
in the shortcuts of love
and in the milonga of love?…



All heart for love
life gave me
and some wounds
from time to time,
to know the worst.
All heart for dancing
making dramatic pauses
and to the South and to the North,
they often shout
that the man from Entre Ríos is the top tango dancer.

El entrerriano by Homero Exposito

El entrerriano is a Tango written by Homero Exposito and composed by Rosendo Mendizabal.

Story Behind the Tango El entrerriano

This tango, “El entrerriano,” paints a vivid portrait of a charismatic, vibrant individual who is deeply immersed in the culture of tango. Described as someone from Entre Rios (indicated by “entrerriano”), the protagonist exudes a typical provincial charm combined with the urban savvy of a milonguero, a frequent and passionate participant of milongas (tango dance events). The lyrics shed light on his boldness and skill, both in terms of romance and dance, navigating through them with the same intensity and emotional involvement.

Symbolism of El entrerriano

“El entrerriano” is rich in symbolism surrounding love and dance, which are core elements of tango. The dance floor symbolizes life’s playground where “aguanto el tren” implies enduring or facing challenges courageously, a trait often admired. The phrase “como el querer voy metiéndome hasta el mango” suggests deep emotional engagement, likening his approach to love as plunging fully into experiences. Dancing “haciendo cortes” reveals technical proficiency and flair, manifesting how culturally ingrained tango is in the protagonist’s identity.

El entrerriano in Historic Context

The song was registered in 1954, a period when tango music was at its peak and deeply entwined with Argentine culture. This was post World War II, a period marked by significant transformations, both globally and within Argentina. The lyrics and tone of “El entrerriano” reflect a nostalgia and a clinging to cultural roots through tango during a time when Argentina was experiencing rapid modernization and social change. The references to neighborhoods and the milonguero lifestyle signify a pride in local identity and cultural heritage, elements crucial during times of vast change.

Homero Exposito

Homero Exposito, an influential figure in the world of tango, was known for his profound lyrics and innovative contributions to the genre.