Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El entrerriano is a Tango written by Homero Exposito and composed by Rosendo Mendizabal.
El entrerriano lyrically tells the story of a figure proud of his origins and expertise in the art of tango. The character describes himself as coming from Entre Ríos, a province in Argentina, and exudes a confidence in both dance and romance. The titular “entrerriano,” or ‘from Entre Ríos,’ embodies a combination of charm and charisma, boasting about his proficiency on the dance floor and in matters of the heart.
The lyrics of “El entrerriano” use dance as a metaphor for love and life’s challenges. The narrator’s confidence in navigating the complex steps of tango parallels his approach to romantic and social interactions, suggesting a philosophy of facing life head-on with passion and skill. Phrases like “Y en el vaivén de algún tango de fandango, como el querer voy metiéndome hasta el mango,” which translates to “And in the sway of some fandango tango, like love, I go all in” highlights this crossover, portraying a life fully lived, with love tackled with the same zeal and intensity as dance.
Set against the backdrop of 1944 Argentina, “El entrerriano” emerges during a period of significant cultural vibrancy despite global tumult due to World War II. Tango, an integral part of Argentine identity, was at its peak, and stories told through tango lyrics often reflect themes of pride, resilience, and individual prowess, resonant with a society navigating through a complex historical landscape. The intertwining of dance and life seen in the lyrics speaks to a cultural narrative of finding passion and expression even amid challenging times.
Homero Exposito was a renowned Argentine lyricist whose contributions highly impacted the golden age of tango, adding depth and narrative to the musical form.