Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El entrerriano is a Tango written by Homero Exposito and composed by Rosendo Mendizabal.
“El entrerriano” reflects the persona of a proud, skilled dancer from Entre Ríos, Argentina, embodying the spirit of the ‘milonguero’—someone deeply engaged in the culture of tango. The lyrics boast of resilience, provincial pride, and a deep commitment to the art of tango dancing. Combining urban bravado with rural authenticity, the tango presents an argentine archetype comfortable both in his heritage and his prowess on the dance floor.
The tango is rife with cultural symbolism, using the heart (corazón) as a central image to reflect deep emotions associated with love and dance. The recurrent invocation of the heart symbolizes both vulnerability and strength. Additionally, phrases like “como el querer voy metiéndome hasta el mango,” which can translate to a deep, immersive engagement (“to the hilt”) in love and life, signify a profound dedication and passion that is quintessential to the tango experience.
Recorded in 1941, during a time when tango was integral not only to Argentine culture but also to its global image, “El entrerriano” reflects a period where the dance was both a personal and national statement. This was a time shortly before the Golden Age of Tango, a period that saw the dance become deeply infused into Buenos Aires’ nightlife. The lyrical content encapsulates a regional pride that resonates with the idiosyncrasies and character of the average porteño during that era.
Homero Exposito was a notable Argentine lyricist and tango poet, celebrated for his contribution to the tango music genre.