Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El entrerriano is a Tango written by Homero Exposito and composed by Rosendo Mendizabal.
The tango “El entrerriano” tells the story of a man proud of his roots from Entre Ríos province in Argentina. He identifies himself as a milonguero (a tango dancer) and a provinciano (someone from the provinces), boasting a blend of elegance and toughness. The lyrics depict his confidence in dancing tango and in love, emphasizing his prowess in both arenas.
“El entrerriano” is filled with symbolism that underscores both pride and passion. The phrases “hasta el mango” (to the handle), often used to denote doing something to the maximum, exemplifies the depth of his emotional and physical investment in tango and love. Additionally, references to “haciendo cortes” (making cuts) in dancing symbolize precision and flair, essential to the dance’s dramatic expression. The tango itself, as a dance and music form, symbolizes the intertwining of culture and personal identity, reflecting individual emotions intertwined with collective tradition.
“El entrerriano” was recorded in 1927, during the golden age of tango when the dance and music were evolving into a deep-seated cultural hallmark in Argentina. At this time, tango was not just a dance but an expression of social and cultural dynamics, often capturing themes of love, pride, and resilience. Set against the backdrop of Argentina’s rich and complex history, including the immigration waves that shaped its society and culture, the song reflects a fusion of influences and the proud spirit of the Argentine people.
Homero Exposito was a notable Argentine lyricist famous for his profound and evocative tango lyrics. His works are celebrated for their poetic quality and emotional depth.