Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El cocherito is a Tango written by Santiago Adamini and composed by Alfredo Attadía.
The “El cocherito” tango narrates the life story of a figure known as Gabino, a beloved character in the neighborhood of Caballito. The lyrics paint a vivid picture of a young man who lived his life passionately through dance, specifically tango, a popular dance in Argentina. Gabino, referred to as a “cocherito” which translates to “little coachman” in English, was a well-known figure who danced his way into the hearts of the locals. There’s a sense of nostalgia and reflection in how the song details Gabino’s journey, from his youth, dancing under streetlights to his older years, still finding joy and fulfillment in dancing tango.
The tango employs powerful symbolism centered around dance and music. Dancing under the “farolito” (a small lantern) symbolizes light and guidance in the darkness, reflecting how tango served as a guiding force in Gabino’s life. The “organito,” a street organ, represents the traditional music culture that pervades Argentine society, bringing joy and a sense of community. The emotional and physical act of dance in the tango represents life’s journey, with its highs and lows encapsulated in the rhythm of the music. Phrases like “bailando ganaba algún corazón” (dancing won some hearts) highlight how Gabino’s dancing wasn’t just a pastime but a way to connect deeply with others.
Recorded in 1944, during a vibrant era for tango in Argentina, “El cocherito” reflects the cultural fabric of Buenos Aires at the time. The neighborhood Caballito, where the story is set, was a bustling area that likely witnessed the golden age of tango with numerous milongas (tango dance events). The lyrics also subtly hint at the societal conditions—such as gatherings around the organito offering solace and entertainment. Gabino’s declaration that he would die happy “dancing a tango” reflects the intense passion that many held for this dance form during a period when tango was a major part of Argentine identity. Additionally, the references to social dancing as a public affair indicate a communal aspect of Argentine culture during this time.
Santiago Adamini was an Argentine lyricist known for his contributions to the tango genre, adept at capturing the cultural essences of Buenos Aires in his works.