Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El chupete is a Tango written by Antonio Polito and composed by Ricardo Gaudenzio.
The lyrics of “El chupete” delve into themes of heartache, dealing with life’s troubles, and finding solace in camaraderie and nightlife. The narrator seems to be advising someone on overcoming personal grief through the support of friends and the distraction of late-night outings. The setting in a cabaret, where much of the action takes place, is symbolic of refuge and escape for those who suffer.
The term “El chupete,” which translates to “the pacifier” in English, carries a strong symbolic weight, suggesting something that comforts or mollifies emotional pain. In the context of the song, “El Chupete” is the name of a group or a gathering spot known for its lively spirit. The verse “Esclavos son del copetín / La jarra los domina,” portrays the group as being in thrall to their drinks, suggesting dependency, maybe as a means to forget sorrow. Meanwhile, the repeated invitation, “Venga, amigo, no se aflija,” reinforces the notion of finding solace in communal revelry, portraying the bar as a space where sadness can momentarily be suspended.
The tango was recorded in 1956, during a period marked by political and social upheaval in Argentina. The lyrics seemingly encourage facing life’s challenges (“luchá con ansias de varón”) and might reflect the contemporaneous societal need for resilience. This period was rife with societal disillusionment, and many found an outlet in music and dance, which possibly explains the emphasis on nightlife and camaraderie as remedies for personal and collective angst.
Antonio Polito was an Argentine tango lyricist known for his contribution to the genre during the mid-20th century.