Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El choclo is a Tango written by Angel Villoldo and composed by Angel Villoldo.
“El choclo” is a quintessential representation of Argentine tango, interwoven with nostalgic memories and profound emotions. The lyrics delve into a contemplation of the past, invoking the melancholic milieu of bygone days through a tender recollection of the milonga. This tango acts not only as a dance but also as an emotive conduit, bringing the warm and affectionate memories to the forefront amidst life’s later stages, where the protagonist’s hair has grayed, symbolizing the passage of time.
The title “El choclo” itself, which translates to “The Corn Cob” in English, might seem unconnected to the tango’s emotional depth at first glance. However, in the cultural context, it suggests something native, deeply rooted, and quintessentially Argentine, similar to how the milonga is ingrained in the culture. The choice of this title may reflect the tango’s ubiquitous presence in Argentine life, akin to a staple food. The milonga in the lyrics symbolizes more than a dance; it is depicted as a reminiscence of youth, love, and the vivacity of earlier times that soothes the soul in later years.
Written and recorded in 1937, a period when tango music had gained international prominence, “El choclo” captures the essence of Argentine identity through its rhythmic structure and emotional tone. The references to aging and recollecting youth resonate with a universal appeal, portraying the tango as a timeless piece, much like the enduring tradition of tango that outlasts generations. This period also reflects a nostalgic return to roots and traditional values, possibly as a counterpoint to the ongoing global changes of the pre-war era.
Angel Villoldo, an iconic figure in the world of tango, is often hailed as a pioneer who played a critical role in shaping the tango’s early musical and lyrical identity.