Fabrice Knecht Tango DJ

El amanecer

El amanecer is a Tango written by Roberto Firpo and recorded by Héctor Varela in 1967. Héctor Varela has recorded El amanecer as an instrumental Tango.
“El amanecer,” or “The Dawn,” unveils a tapestry of sound as it gently awakens the world. Each note dances like soft light, revealing the promise of a new day filled with infinite possibilities. In the serene embrace of its melody, hope whispers through the air, inviting the heart to dream anew and the soul to rise with the sun.

Tango

Style

Héctor Varela

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1967/7/4

Date

Instrumental
Instrumental
Héctor Varela
Héctor Varela

Discover Other Orchestras

Héctor Varela – Se mira y no se toca – 1959/9/30
Héctor Varela – Portero suba y diga – 1955/10/19
Héctor Varela – Qué poca cosa fue tu amor – 1960/3/18
Héctor Varela – Y no me digas no – 1957/7/2
Héctor Varela – Igual que dos palomas – 1953/6/16
Carlos di Sarli – Derrotado – 1956/9/27
Carlos di Sarli – Vamos – 1944/5/24
Carlos di Sarli – Ensueños – 1943/9/7
Carlos di Sarli – Novia provinciana – 1956/3/7
Carlos di Sarli – Y hasta el cardo tiene flor – 1941/12/11
LOS SEÑORES DEL TANGO – Milonguero viejo – 1962/10/8
Ricardo Tanturi – La huella – 1941/11/27
Ricardo Tanturi – Mozo guapo – 1941/2/19
Ricardo Tanturi – Que me quiten lo bailao – 1943/4/29
Ricardo Tanturi – La abandoné y no sabía – 1944/4/27
Ricardo Tanturi – Si se salva el pibe – 1944/7/27

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El amanecer recorded by other Orchestras

El amanecer recorded by other Orchestras

1967/7/4 – La viruta – Hector Varela
1967/7/1 – Imagen campera – Osvaldo Pugliese
1967/7/1 – Marejada – Osvaldo Pugliese
1967/7/10 – Coplas y toros – Enrique Rodriguez
1967/7/10 – El fox de las gigoletes – Enrique Rodriguez
El amanecer – 1942/6/23 – Carlos di Sarli – Instrumental
El amanecer – 1951/9/26 – Carlos di Sarli – Instrumental
El amanecer – 1954/7/31 – Carlos di Sarli – Instrumental
El amanecer – 1965/7/25 – Juan D-Arienzo – Instrumental
El amanecer – 1964/4/1 – Osvaldo Pugliese – Instrumental
El amanecer – 1969/3/26 – Miguel Calo – Instrumental
El amanecer – 1964/5/1 – Alfredo De Angelis – Instrumental
El amanecer – 1961/4/25 – Jose Basso – Instrumental
El amanecer – 1983/1/1 – Jose Basso –
El amanecer – 1967/7/4 – Hector Varela – Instrumental
El amanecer – 1966/3/8 – Florindo Sassone – Instrumental
El amanecer – 1974/1/1 – Florindo Sassone – Instrumental
El amanecer – 1928/5/31 – Roberto Firpo – Instrumental
El amanecer – 1938/1/4 – Roberto Firpo – Instrumental
El amanecer – 1953/12/11 – Cuarteto Tipico Roberto Firpo – Instrumental
El amanecer – 1950/5/29 – Domingo Federico – Instrumental
El amanecer – 1973/1/1 – Francini-Pontier – Instrumental
El amanecer – 1958/8/12 – Armando Pontier – Instrumental
El amanecer – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1937/8/14 – Orquesta Tipica Victor – Instrumental

El amanecer recorded by Héctor Varela


El amanecer is an instrumental Tango composed by Roberto Firpo.



Interpretation of El amanecer

The title “El amanecer,” translated into English, means “The Dawn.” As an instrumental tango, “El amanecer” evokes the emotions and atmosphere of a new day unfolding. It begins with a gentle, almost hushed introduction, mirroring the gradual emergence of light. As the piece progresses, the music swells with energy and vitality, capturing the vibrant and dynamic transition from night to day. The interplay between the bandoneón and strings in Héctor Varela’s tango orchestra adds layers of depth and emotion, reflecting both the peaceful repose and the spirited awakening synonymous with dawn.



Héctor Varela and El amanecer

Héctor Varela’s interpretation of “El amanecer” elevates Roberto Firpo’s composition through a characteristically robust and passionate execution. Varela’s orchestra, known for its expressive and rhythmic precision, brings to life the nuanced transitions in the tango’s dynamics. Recorded on the 4th of July, 1967, this rendition highlights Varela’s commitment to maintaining the traditional roots of tango while infusing it with a contemporary vibrancy that captivates audiences. Through this performance, Varela ensures that “El amanecer” remains a timeless piece, resonating with both nostalgia and renewal.