Fabrice Knecht Tango DJ

El amanecer

El amanecer is a Tango written by Roberto Firpo and recorded by Florindo Sassone in 1966. Florindo Sassone has recorded El amanecer as an instrumental Tango.
“El amanecer,” translated as “The Dawn,” unfolds as a symphony of awakening hues, where shadows retreat and light takes its delicate first steps across the horizon. In its notes, one senses the quiet promise of a new day, a tender embrace between night’s fading whispers and the gentle chorus of morning. It is the dance of transition, where hope is reborn.

Tango

Style

Florindo Sassone

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1966/3/8

Date

Instrumental
Instrumental
Florindo Sassone
Florindo Sassone

Discover Other Orchestras

José Garcia – Prestame tu pañuelo – 1942/6/17
José Garcia – Calla bandoneon – 1944/4/7
José Garcia – Nadie ha de saber – 1945/4/16
José Garcia – Si alguna vez – 1943/12/11
José Garcia – Lagarterana – 1942/3/17
Horacio Salgán Y Dante Amicarelli – Las hojas muertas (Les feuilles mortes) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – La chica de Ipanema (Garota de Ipanema) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Zamba de Vargas – 1970/1/1
Horacio Salgán Y Dante Amicarelli – El ensueño de Bahia – 1971/1/1
Armando PONTIER – Verdemar – 1960/7/21
Julio De Caro – Mi dolor – 1950/10/27
Julio De Caro – Vieja escuela de mi barrio – 1931/1/1
Julio De Caro – Norma – 1938/8/10
Julio De Caro – Soy bailarin – 1950/12/18
Julio De Caro – Boedo – 1939/7/7

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El amanecer recorded by other Orchestras

El amanecer recorded by other Orchestras

1966/3/8 – A la gran muneca – Florindo Sassone
1966/3/8 – Sentimiento gaucho – Florindo Sassone
1966/3/8 – Tomo y obligo – Florindo Sassone
1966/3/10 – Esta noche me emborracho – Florindo Sassone
1966/3/10 – La tablada – Florindo Sassone
El amanecer – 1942/6/23 – Carlos di Sarli – Instrumental
El amanecer – 1951/9/26 – Carlos di Sarli – Instrumental
El amanecer – 1954/7/31 – Carlos di Sarli – Instrumental
El amanecer – 1965/7/25 – Juan D-Arienzo – Instrumental
El amanecer – 1964/4/1 – Osvaldo Pugliese – Instrumental
El amanecer – 1969/3/26 – Miguel Calo – Instrumental
El amanecer – 1964/5/1 – Alfredo De Angelis – Instrumental
El amanecer – 1961/4/25 – Jose Basso – Instrumental
El amanecer – 1983/1/1 – Jose Basso –
El amanecer – 1967/7/4 – Hector Varela – Instrumental
El amanecer – 1966/3/8 – Florindo Sassone – Instrumental
El amanecer – 1974/1/1 – Florindo Sassone – Instrumental
El amanecer – 1928/5/31 – Roberto Firpo – Instrumental
El amanecer – 1938/1/4 – Roberto Firpo – Instrumental
El amanecer – 1953/12/11 – Cuarteto Tipico Roberto Firpo – Instrumental
El amanecer – 1950/5/29 – Domingo Federico – Instrumental
El amanecer – 1973/1/1 – Francini-Pontier – Instrumental
El amanecer – 1958/8/12 – Armando Pontier – Instrumental
El amanecer – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1937/8/14 – Orquesta Tipica Victor – Instrumental

El amanecer recorded by Florindo Sassone


El amanecer is an instrumental Tango composed by Roberto Firpo.



Interpretation of El amanecer

“El amanecer,” translated to English as “The Dawn,” is a composition that invokes the imagery and emotions associated with the break of a new day. As an instrumental piece, it paints an auditory picture of the gradual transition from night to morning. The music might begin with soft, gentle notes, reminiscent of the first light appearing on the horizon, quietly dispelling the darkness. As the composition progresses, it likely introduces a more dynamic and vibrant melody, signifying the sun’s rise and the world awakening.



The rhythm and tempo may shift, mirroring nature’s gradual increase in activity as light spreads, casting long shadows and awakening life. The listener can imagine the gentle warming of the earth, the rustling of leaves, and the gradual hustle and bustle of morning life taking form. Finally, the piece might crescendo into a bright, full orchestra sound, representing the sun fully risen, bathing the landscape in warmth and light, a celebration of a new day filled with possibilities.



Florindo Sassone and El amanecer

The Tango Orchestra led by Florindo Sassone captures the essence of “El amanecer” with its expressive instrumentation and emotive style. Sassone, known for his robust and dramatic interpretations, brings out the nuances of the piece with his skillful arrangements, allowing each instrument in the orchestra to play a pivotal role in narrating the story of dawn. His interpretation might emphasize the contrast between the serene beginnings and the vibrant culmination of the piece, highlighting the transformative power of ‘the dawn.’



Florindo Sassone’s recording of “El amanecer” in 1966 likely showcases his signature style: rich, melodic, and filled with the passion typical of tango music. The orchestra’s ability to convey the emotions and imagery envisioned by Roberto Firpo allows listeners to experience the dance between darkness and light, a testament to the beauty of a new beginning through music.