Fabrice Knecht Tango DJ

El amanecer

El amanecer is a Tango written by Roberto Firpo and recorded by Juan D’Arienzo in 1965. Juan D’Arienzo has recorded El amanecer as an instrumental Tango.
“El Amanecer,” translated into English as “The Dawn,” evokes the serene yet powerful emergence of light as night gracefully yields to day. This piece paints a vivid tableau of first light softly caressing the world, whispering promises of new beginnings. Each note dances like the sun’s rays, casting shadows away and inviting hope to flourish in the fresh morning air.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1965/7/25

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Adolfo Carabelli – Por qué te obstinas en amar a otro si hoy es lunes – 1932/12/30
Adolfo Carabelli – Florida de 6 a 8 – 1934/4/25
Adolfo Carabelli – Campanita del suburbio – 1933/1/1
Adolfo Carabelli – El trece – 1932/9/27
Adolfo Carabelli – Rodríguez Peña – 1932/6/24
Edgardo Donato – Porteña linda – 1940/4/30
Edgardo Donato – Rayo de luz – 1930/1/1
Edgardo Donato – Visión de arrabal – 1931/1/1
Edgardo Donato – El vinacho – 1951/9/17
Edgardo Donato – A garufiar – 1931/1/1
Osvaldo Fresedo – Motivo de vals – 1948/9/29
Osvaldo Fresedo – Otra vez – 1927/9/27
Osvaldo Fresedo – Viejo malevo – 1952/11/21
Osvaldo Fresedo – La viruta – 1957/9/27
Osvaldo Fresedo – La cachila – 1927/11/15
Ángel d’Agostino – Trasnochando – 1942/6/15
Ángel d’Agostino – Carnaval de mi barrio – 1954/2/19
Ángel d’Agostino – Señores yo soy del centro – 1945/3/20
Ángel d’Agostino – Y te dejé partir – 1943/8/10
Ángel d’Agostino – Yo soy de Parque Patricios – 1944/12/5

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El amanecer recorded by other Orchestras

El amanecer recorded by other Orchestras

1965/7/25 – La payanca – Juan D-Arienzo
1965/7/25 – La viruta – Juan D-Arienzo
1965/7/25 – Rodriguez Pena – Juan D-Arienzo
1965/7/25 – Vea vea – Juan D-Arienzo
1965/7/25 – Entre dos fuegos – Juan D-Arienzo
El amanecer – 1942/6/23 – Carlos di Sarli – Instrumental
El amanecer – 1951/9/26 – Carlos di Sarli – Instrumental
El amanecer – 1954/7/31 – Carlos di Sarli – Instrumental
El amanecer – 1965/7/25 – Juan D-Arienzo – Instrumental
El amanecer – 1964/4/1 – Osvaldo Pugliese – Instrumental
El amanecer – 1969/3/26 – Miguel Calo – Instrumental
El amanecer – 1964/5/1 – Alfredo De Angelis – Instrumental
El amanecer – 1961/4/25 – Jose Basso – Instrumental
El amanecer – 1983/1/1 – Jose Basso –
El amanecer – 1967/7/4 – Hector Varela – Instrumental
El amanecer – 1966/3/8 – Florindo Sassone – Instrumental
El amanecer – 1974/1/1 – Florindo Sassone – Instrumental
El amanecer – 1928/5/31 – Roberto Firpo – Instrumental
El amanecer – 1938/1/4 – Roberto Firpo – Instrumental
El amanecer – 1953/12/11 – Cuarteto Tipico Roberto Firpo – Instrumental
El amanecer – 1950/5/29 – Domingo Federico – Instrumental
El amanecer – 1973/1/1 – Francini-Pontier – Instrumental
El amanecer – 1958/8/12 – Armando Pontier – Instrumental
El amanecer – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1937/8/14 – Orquesta Tipica Victor – Instrumental

El amanecer recorded by Juan D’Arienzo

El amanecer is an instrumental Tango composed by Roberto Firpo.

Interpretation of El amanecer

“El amanecer,” translated to English as “The Dawn,” is an evocative piece that captures the essence of a new beginning. In the hands of Juan D’Arienzo’s orchestra, the music would likely start with gentle, soft strings, mimicking the first light of dawn breaking the night’s silence. The piece gradually builds in intensity, with the tango rhythms gradually intensifying, symbolizing the sun’s rise and the world awakening in vibrant motion. The orchestration might incorporate lively staccato notes and dynamic tempo changes, reflecting the bustling energy that accompanies the start of a new day. The music likely culminates in a vivacious, full-orchestra crescendo, celebrating the vitality and promise of the morning.

Juan D’Arienzo and El amanecer

Known for his vibrant and rhythmic style, Juan D’Arienzo, often referred to as “El Rey del Compás” (The King of Rhythm), brings “El amanecer” to life with his energetic and precise orchestration. His interpretation likely emphasizes the dynamic transition from the tranquility of night to the pulsating vibrancy of daybreak, capturing the spirit of this Roberto Firpo composition. D’Arienzo’s adept use of rhythmic accents would highlight the heartbeat of the tango, echoing the excitement and possibilities inherent in “El amanecer.”