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El amanecer

El amanecer is a Tango written by Roberto Firpo and recorded by Quinteto Real (Horacio Salgán) in 1964. Quinteto Real (Horacio Salgán) has recorded El amanecer as an instrumental Tango.
“El amanecer,” or “The Dawn,” is a lyrical unfolding of light, where night surrenders to the gentle embrace of a new day. This music captures the delicate moment when dreams dissipate, leaving a world renewed. With each note, it paints the sky’s transformation, invoking hope and the promise of beginnings yet to be written.

Tango

Style

Quinteto Real (Horacio Salgán)

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1964/1/1

Date

Instrumental
Instrumental
Quinteto Real (Horacio Salgán)
Quinteto Real (Horacio Salgán)

Discover Other Orchestras

Ángel d’Agostino – Una pena – 1941/11/5
Ángel d’Agostino – Mentira – 1945/4/5
Ángel d’Agostino – Madre hay una sola – 1943/4/30
Ángel d’Agostino – De pura cepa (2) – 1943/12/5
Ángel d’Agostino – Un lamento – 1942/7/15
Alfredo De Angelis – Amigazo – 1949/9/26
Alfredo De Angelis – Una señora milonga – 1954/12/1
Alfredo De Angelis – Bogotá – 1967/7/18
Alfredo De Angelis – No aflojes – 1959/11/20
Alfredo De Angelis – No hay palenque en que rascarse – 1966/10/30
José De Alto (Dir. José Basso) – Yo no sé por qué te quiero – 1959/9/14
José De Alto (Dir. José Basso) – Milonguita (Esthercita) – 1959/9/14
José De Alto (Dir. José Basso) – Nunca tuvo novio – 1959/9/14
José De Alto (Dir. José Basso) – Rosicler – 1959/9/14
Ricardo Tanturi – Cómo se pianta la vida – 1942/9/15
Ricardo Tanturi – Fondín de Pedro Mendoza – 1957/4/2
Ricardo Tanturi – Desde el alma – 1944/8/28
Ricardo Tanturi – Madre de los cabellos de plata – 1958/7/23
Ricardo Tanturi – Que me quiten lo bailao – 1943/4/29

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El amanecer recorded by other Orchestras

El amanecer recorded by other Orchestras

1964/1/1 – Enamorado estoy – Osvaldo Pugliese
1964/1/1 – La tablada – Rodolfo Biagi
1964/1/1 – Y a mi que – Rodolfo Biagi
1964/1/1 – Cafetin de Buenos Aires – Jose Basso
1964/1/1 – Cancion de Ave Maria – Jose Basso
El amanecer – 1942/6/23 – Carlos di Sarli – Instrumental
El amanecer – 1951/9/26 – Carlos di Sarli – Instrumental
El amanecer – 1954/7/31 – Carlos di Sarli – Instrumental
El amanecer – 1965/7/25 – Juan D-Arienzo – Instrumental
El amanecer – 1964/4/1 – Osvaldo Pugliese – Instrumental
El amanecer – 1969/3/26 – Miguel Calo – Instrumental
El amanecer – 1964/5/1 – Alfredo De Angelis – Instrumental
El amanecer – 1961/4/25 – Jose Basso – Instrumental
El amanecer – 1983/1/1 – Jose Basso –
El amanecer – 1967/7/4 – Hector Varela – Instrumental
El amanecer – 1966/3/8 – Florindo Sassone – Instrumental
El amanecer – 1974/1/1 – Florindo Sassone – Instrumental
El amanecer – 1928/5/31 – Roberto Firpo – Instrumental
El amanecer – 1938/1/4 – Roberto Firpo – Instrumental
El amanecer – 1953/12/11 – Cuarteto Tipico Roberto Firpo – Instrumental
El amanecer – 1950/5/29 – Domingo Federico – Instrumental
El amanecer – 1973/1/1 – Francini-Pontier – Instrumental
El amanecer – 1958/8/12 – Armando Pontier – Instrumental
El amanecer – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1937/8/14 – Orquesta Tipica Victor – Instrumental

El amanecer recorded by Quinteto Real (Horacio Salgán)


El amanecer is an instrumental Tango composed by Roberto Firpo.



Interpretation of El amanecer

“El amanecer,” translated to English as “The Dawn,” captures the serene and reflective moments of a new day breaking. As an instrumental piece, it likely begins with soft, yearning melodies played by the strings, evocative of the gentle transition from night to morning. The music progressively intensifies, much like the sky gradually brightening. The inclusion of the bandoneón, a classic instrument in tango, adds layers of emotion and depth, signifying both the calm peace of dawn and the anticipation of the day that lies ahead. The nuanced dynamics and poignant expressions typical of tango orchestras mirror the beauty and inspiration of witnessing daylight emerge.



Quinteto Real (Horacio Salgán) and El amanecer

Quinteto Real, under the leadership of Horacio Salgán, interprets “El amanecer” with a richness that highlights their mastery of traditional tango elements while infusing them with modern sensibilities. The orchestra’s interplay of piano, strings, and winds can vividly illustrate the gradual unfolding of the dawn, from tranquility to the dramatic moments that embody a new beginning. Salgán’s distinct phrasing and tempo create a vivid aural landscape, where listeners can almost see and feel the first light of a new day.