Fabrice Knecht Tango DJ

El amanecer

El amanecer is a Tango written by Roberto Firpo and recorded by Osvaldo Pugliese in 1964. Osvaldo Pugliese has recorded El amanecer as an instrumental Tango.
“El Amanecer,” or “The Dawn,” paints a vibrant tapestry of first light breaking over the horizon. It captures the delicate moment when the world gently stirs awake, enveloped in a symphony of hope and renewal. This piece whispers the promise of new beginnings, each note a brush stroke on the canvas of a fresh day.

Tango

Style

Osvaldo Pugliese

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1964/4/1

Date

Instrumental
Instrumental
Osvaldo Pugliese
Osvaldo Pugliese

Discover Other Orchestras

José Basso – Un amor imposible – 1962/1/1
José Basso – Milonga con variación (Milonga con variaciones) – 1966/1/1
José Basso – Qué me van a hablar de amor – 1962/1/1
José Basso – Desorientado – 1962/1/1
José Basso – Un sueño y nada más – 1966/1/1
Enrique Francini – Ojos negros – 1977/1/1
Enrique Francini – Destino de flor – 1957/4/3
Enrique Francini – La cumparsita – 1977/1/1
Enrique Francini – Yira yira – 1977/1/1
Enrique Francini – Inspiración – 1956/1/19
Orquesta Típica Victor – Se caso la viuda – 1936/11/10
Orquesta Típica Victor – Rancho florido – 1938/2/3
Orquesta Típica Victor – Canas de plata – 1928/9/13
Orquesta Típica Victor – Atenti pebeta – 1929/9/19
Orquesta Típica Victor – Y no la puedo olvidar – 1943/9/20
Julio De Caro – La rayuela – 1950/10/27
Julio De Caro – Color de rosa – 1928/1/1
Julio De Caro – El buey solo – 1953/4/10
Julio De Caro – Loca bohemia – 1951/7/16
Julio De Caro – La casita esta triste – 1926/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

El amanecer recorded by other Orchestras

El amanecer recorded by other Orchestras

1964/4/1 – La solita – Osvaldo Pugliese
1964/4/2 – A Don Antonio – Hector Varela
1964/3/30 – Color de rouge – Alfredo De Angelis
1964/3/30 – Isla de Capri – Alfredo De Angelis
1964/4/7 – El choclo – Miguel Calo
El amanecer – 1942/6/23 – Carlos di Sarli – Instrumental
El amanecer – 1951/9/26 – Carlos di Sarli – Instrumental
El amanecer – 1954/7/31 – Carlos di Sarli – Instrumental
El amanecer – 1965/7/25 – Juan D-Arienzo – Instrumental
El amanecer – 1964/4/1 – Osvaldo Pugliese – Instrumental
El amanecer – 1969/3/26 – Miguel Calo – Instrumental
El amanecer – 1964/5/1 – Alfredo De Angelis – Instrumental
El amanecer – 1961/4/25 – Jose Basso – Instrumental
El amanecer – 1983/1/1 – Jose Basso –
El amanecer – 1967/7/4 – Hector Varela – Instrumental
El amanecer – 1966/3/8 – Florindo Sassone – Instrumental
El amanecer – 1974/1/1 – Florindo Sassone – Instrumental
El amanecer – 1928/5/31 – Roberto Firpo – Instrumental
El amanecer – 1938/1/4 – Roberto Firpo – Instrumental
El amanecer – 1953/12/11 – Cuarteto Tipico Roberto Firpo – Instrumental
El amanecer – 1950/5/29 – Domingo Federico – Instrumental
El amanecer – 1973/1/1 – Francini-Pontier – Instrumental
El amanecer – 1958/8/12 – Armando Pontier – Instrumental
El amanecer – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1964/1/1 – Quinteto Real (Horacio Salgan) – Instrumental
El amanecer – 1937/8/14 – Orquesta Tipica Victor – Instrumental

El amanecer recorded by Osvaldo Pugliese


El amanecer is an instrumental Tango composed by Roberto Firpo.



Interpretation of El amanecer

Translated to English, “El amanecer” means “The Dawn.” As an instrumental Tango, it likely portrays the gradual unfolding of a new day. The music might start softly, capturing the gentle rise of the sun, with an arrangement that grows in intensity as the daylight brightens. Through the orchestration, listeners can imagine the transition from the serene quiet of early morning to the vibrant activity as the world awakens. The piece would capture the essence of anticipation and renewal, with intricate melodies that dance and weave through the orchestra’s emotive range.



Osvaldo Pugliese and El amanecer

Osvaldo Pugliese, known for his powerful interpretation and innovative orchestration, would bring “El amanecer” to life with his distinctive style. His orchestra might emphasize the rhythmic pulse and dynamic contrasts, offering a rich, textural soundscape that reflects the transition of night into day. Pugliese’s interpretation could add emotional depth to Firpo’s composition, not just celebrating the new day’s arrival but resonating with themes of hope and renewal inherent in the dawn’s symbolism.