Fabrice Knecht Tango DJ

El alacrán

El alacrán is a Tango written by and recorded by Juan D’Arienzo in 1965. Juan D’Arienzo has recorded El alacrán as an instrumental Tango.
“El alacrán,” or “The Scorpion,” springs to life through its haunting melody. Just as a scorpion moves with both grace and danger, the music encapsulates a dance of passion and tension, where each note stings with emotion. The rhythm mesmerizes like the hypnotic sway of a scorpion’s tail, evoking a sense of intrigue and peril.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Composer

1965/8/27

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Armando Pontier – Corazón no le hagas caso – 1960/7/1
Armando Pontier – A la gran muñeca – 1957/6/25
Armando Pontier – La ultima – 1968/4/29
Armando Pontier – Margo – 1959/6/26
Armando Pontier – Mariposita – 1979/5/22
Adolfo Carabelli – El puñal sevillano – 1932/5/24
Adolfo Carabelli – El trece – 1932/9/27
Adolfo Carabelli – Por qué – 1931/11/2
Adolfo Carabelli – Cantando – 1931/9/4
Adolfo Carabelli – Desconfianza – 1932/5/6
Rodolfo Biagi – Adiós te vas – 1943/8/24
Rodolfo Biagi – Amor y vals – 1942/5/22
Rodolfo Biagi – Caricias – 1951/7/30
Rodolfo Biagi – Equipaje – 1945/4/24
Rodolfo Biagi – Mi vida en tus manos – 1957/1/9
Edgardo Donato – El vals de los recuerdos – 1935/4/4
Edgardo Donato – Madreselva (2) – 1930/1/1
Edgardo Donato – Pituca – 1950/8/14
Edgardo Donato – Dulce amiga – 1931/1/1
Edgardo Donato – Cara negra – 1942/3/11

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1965/8/27 – El internado – Juan D-Arienzo
1965/8/27 – Se acabaron los otarios – Juan D-Arienzo
1965/8/23 – Buenos Aires – Florindo Sassone
1965/8/23 – Porque se que me queres – Florindo Sassone
1965/8/31 – Caminito – Florindo Sassone

El alacrán recorded by Juan D’Arienzo

El alacrán is an instrumental Tango composed by .

Interpretation of El alacrán

“El alacrán,” which translates to “The Scorpion” in English, evokes imagery of both elegance and danger, characteristic of the creature itself. In a performance by Juan D’Arienzo’s orchestra, we can imagine the music beginning with a tense and suspenseful introduction, capturing the scorpion’s poised readiness to strike. As the piece progresses, the tempo might shift to a rapid, rhythmic dance, reflecting the scorpion’s sudden, swift movements and the thrill of the unexpected. The piece could conclude with a return to the initial tense theme, symbolizing the scorpion’s mysterious nature and the lingering sense of its lurking presence.

Juan D’Arienzo and El alacrán

Juan D’Arienzo, known as the “Rey del Compás” or “King of the Beat,” was renowned for his energetic and rhythmic interpretation of tango music. His version of “El alacrán,” recorded on August 27, 1965, showcases his signature style that emphasizes strong beat and melodic richness, making it a favorite among dancers and listeners who appreciate the vivacity and power of tango music.