Fabrice Knecht Tango DJ

Don Juan

Don Juan is a Tango written by Ernesto Ponzio and recorded by Juan D’Arienzo in 1950. Juan D’Arienzo has recorded Don Juan as an instrumental Tango.
“Don Juan,” which translates to “Sir John” in English, is a name steeped in legend and allure. It conjures images of a charming, roguish figure who dances through life with effortless grace and seductive charisma. This music captures the essence of such a character, weaving a tapestry of passion and mystery, enticing listeners into a world of intrigue and romance.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Ricardo Podesta

Author

Ernesto Ponzio

Composer

1950/12/28

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Don Juan recorded by other Orchestras

Don Juan recorded by other Orchestras

Letra del Tango Don Juan

En el tango soy tan taura

que cuando hago un doble corte

corre la voz por el Norte,

si es que me encuentro en el Sud.

Y pa bailar la Yuyeta

si es que me visto a la moda

la gente me dice toda

Dios le dé, Dios le dé, vida y salud.



Calá, che, calá.

Siga el piano, che,

dése cuenta usted

y después dirá

si con este taita

podrán por el Norte

calá che, qué corte,

calá, che, calá.



No hay teatro que no conozca

pues hasta soy medio artista

y luego tengo una vista

que hasta dicen que soy luz.

Y la forma de mi cuerpo

arreglada a mi vestido

me hacen mozo muy querido,

lo juro, lo juro por esta cruz.



Yo soy el taita del barrio,

pregúnteselo a cualquiera.

No es esta la vez primera

en que me han de conocer.

Yo vivo por San Cristóbal,

me llaman Don Juan Cabello,

anóteselo en el cuello

y ahí va, y ahí va, así me quieren ver.

English lyrics of the Tango "Don Juan"

In the tango, I’m so skilled
that when I perform a double cut
the word spreads in the North,
if I happen to be in the South.
And to dance the Yuyeta,
if I dress in style,
everyone tells me,
God give you, God give you, life and health.

Stop, look, stop.
Let the piano continue, look,
realize it yourself
and then you will say
if with this big shot
they can in the North,
stop, look, what a cut,
stop, look, stop.

There’s no theater I don’t know
for I’m even somewhat an artist
and then I have a vision
that even say I am light.
And the shape of my body,
suited to my attire
makes me a very beloved young man,
I swear, I swear by this cross.

I am the boss of the neighborhood,
ask anyone.
This isn’t the first time
that I’m recognized.
I live in San Cristóbal,
they call me Don Juan Cabello,
mark it on your neck
and there it goes, and there it goes, that’s how they want to see me.

Don Juan by Ricardo Podesta

Don Juan is a Tango written by Ricardo Podesta and composed by Ernesto Ponzio.

Story behind the Tango Don Juan

The lyrics of “Don Juan” express a narrator’s deep pride in their prowess as a tango dancer. They describe how their dancing skills garner respect and admiration, elevating their status in various circles, from local theaters to the streets of their neighborhood. The chorus, with its self-assured commands to “calá, che calá,” which translates roughly as “listen and see,” further emphasizes the confidence and assertiveness of the character, inviting the audience to witness his skill and charisma.

Symbolism of Don Juan

In “Don Juan,” multiple layers of symbolism are woven through the text. The repeated references to the North and South signify the narrator’s widespread renown across regions, symbolizing his expansive influence and reputation. The portrayal as “luz” (light) and “taura” (tough or outstanding in the context of tango), suggests an almost mythic quality, portraying him as a beacon or guide in the tango scene. The phrase “Dios le dé, Dios le dé, vida y salud” (God give him life and health) indicates that his talent is seen as a blessing, deserving divine acknowledgment and protection.

Don Juan in Historic Context

“Don Juan,” created in 1950, reflects the rich culture of tango that is intrinsic to Argentine identity. During this period, Argentina was experiencing significant political and social changes, and tango music often served as a commentary on everyday life and societal norms. The character of Don Juan represents an idealized male figure in the Argentine tango culture, an emblem of charisma and artistic flair. His connection to the neighborhood San Cristóbal and his nickname “Don Juan Cabello” ground him in specific local contexts, adding a personal and relatable element to his larger-than-life persona.

Ricardo Podesta

Ricardo Podesta was a notable lyricist, whose works contributed to the rich tapestry of Argentine tango culture, painting vivid stories of life and character through music.