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Don Juan

Don Juan is a Tango written by Ernesto Ponzio and recorded by Juan D’Arienzo in 1936. Juan D’Arienzo has recorded Don Juan as an instrumental Tango.
“Don Juan,” or “Sir John” in English, is more than just a name; it embodies the archetype of a passionate and irresistible lover. His tale dances with a relentless pursuit of love, flirting on the edge of charm and recklessness. This intricate melody waltzes through shadows and desires, evoking an enigmatic charisma that captivates the soul.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Ricardo Podesta

Author

Ernesto Ponzio

Composer

1936/9/29

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Don Juan recorded by other Orchestras

Don Juan recorded by other Orchestras

Letra del Tango Don Juan

En el tango soy tan taura
que cuando hago un doble corte
corre la voz por el Norte,
si es que me encuentro en el Sud.
Y pa bailar la Yuyeta
si es que me visto a la moda
la gente me dice toda
Dios le dé, Dios le dé, vida y salud.

Calá, che, calá.
Siga el piano, che,
dése cuenta usted
y después dirá
si con este taita
podrán por el Norte
calá che, qué corte,
calá, che, calá.

No hay teatro que no conozca
pues hasta soy medio artista
y luego tengo una vista
que hasta dicen que soy luz.
Y la forma de mi cuerpo
arreglada a mi vestido
me hacen mozo muy querido,
lo juro, lo juro por esta cruz.

Yo soy el taita del barrio,
pregúnteselo a cualquiera.
No es esta la vez primera
en que me han de conocer.
Yo vivo por San Cristóbal,
me llaman Don Juan Cabello,
anóteselo en el cuello
y ahí va, y ahí va, así me quieren ver.

English lyrics of the Tango "Don Juan"

In the tango I’m so deft
that when I perform a double cut,
word spreads through the North,
if I am in the South.
And to dance the Yuyeta,
if I’m dressed in style,
everyone tells me,
God give you, God give you, life and health.

Hold it, man, hold it.
Let the piano play, man,
you will see yourself
and then you will say
if with this fellow
can they in the North—
hold it, man, what a move,
hold it, man, hold it.

There’s no theatre unknown to me
since I’m even half an artist,
and then I have a vision
that some say makes me a light.
And the shape of my body,
suited to my attire,
makes me a much-loved lad,
I swear it, I swear by this cross.

I am the big guy of the neighborhood,
ask anyone around.
This isn’t the first time
that they’ve come to know me.
I live in San Cristóbal,
they call me Don Juan Cabello,
write it on your collar
and there it goes, and there it goes, that’s how they like to see me.

Don Juan by Ricardo Podesta

Don Juan is a Tango written by Ricardo Podesta and composed by Ernesto Ponzio.

Story behind the Tango Don Juan

The lyrics of “Don Juan” portray the life of a self-assured tango dancer, referred to as “taura” (slang for someone who is admirable or outstanding in the tango community). This individual draws attention and admiration wherever he goes, whether in the North or South. This character’s prowess extends beyond dancing, touching theatrical performances, and his physical appearance fits perfectly with his stylish clothing, gaining him further adoration. The refrain “Dios le dé, Dios le dé, vida y salud” which means “God give him life and health,” echoes the community’s admiration and well-wishes for him.

Symbolism of Don Juan

The title “Don Juan” traditionally refers to a captivating figure with romantic allure. Unlike the classic seducer, however, this Don Juan’s allure lies in his dance skills and charismatic presence. The repeated line “Calá, che, calá” uses Lunfardo (Buenos Aires slang), calling for attention and acknowledgment of his unmatched skills in tango. Key phrases like “si con este taita podrán por el Norte” (if with this big shot they could in the North), show his confidence and reputation that transcends regional boundaries. The symbolic crossing from “North” to “South” highlights his widespread fame across different directions/cultures within Argentina.

Don Juan in Historic Context

Written and composed in 1936, “Don Juan” surfaced during a vibrant era for tango culture in Argentina, a time when tango dancing was not just entertainment but a significant aspect of daily life and identity in Buenos Aires. During this period, figures renowned for their artistic talents, especially in neighborhoods like San Cristóbal, were celebrated. The specific mention of San Cristóbal, a real neighborhood in Buenos Aires, enriches the authenticity of the persona depicted in the song, grounding him in a tangible community and locale.

Ricardo Podesta

Ricardo Podesta was a distinguished lyricist known for his contributions to the Tango music scene in Argentina.