Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Día del tango is a Tango written by Vicente San Lorenzo and composed by Angela Lucia.
The lyrics of “Día del tango” are an ode to the tango itself, capturing both an intimate connection with the dance and a communal celebration of its influence. Vicente San Lorenzo invites listeners to raise their glasses in a toast to the tango, highlighting its role as a musical embodiment of the soul and the heartfelt expression of emotions. Tango is portrayed not just as a dance or genre but as a vivid character that shapes the night, emotions, and the Argentine social landscape.
The phrase “La noche, compañera de fandango” symbolizes how tango transforms the night into a partner, suggesting a deep interconnection between time, mood, and dance. Tango’s ability to infuse the night with dreams and aspirations is presented through the eyes of those embraced by its melody. The repeated personification of tango, identifying it as an entity capable of evoking nostalgia and longing for its golden era, emphasizes its timeless allure and historical significance in Argentine culture.
Recorded in 1965, during a time when Argentina was experiencing significant political and social changes, “Día del tango” serves as a retrospective longing for the “golden age” of tango. This era, seen through the lyrics, reflects a nostalgic yearning for a time when tango was at the heart of Argentinean societal and cultural identity. The streets, corners, and alleys mentioned in the song bring a geographical grounding, situating tango within the everyday life and urban landscape where it famously evolved.
Vicente San Lorenzo was an influential Argentine lyricist known for his deep connections with tango music and culture.