Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Después del carnaval is a tango written and composed by José Amuchástegui Keen.
The lyrics of “Después del carnaval” explore the melancholy and introspection following the lively celebrations of Carnival. The text poignantly contrasts the fleeting joy and excitement of the festivity with the lingering sorrow and loss once it ends. It highlights a narrative where the protagonist reminisces about a love found and lost during the carnival, depicting how the festive spirits and a passionate encounter fade away, leaving behind only memories and a craving for the return of those vibrant moments.
The tango uses vivid symbolism to enhance its emotional depth. Key phrases such as “Cornetas y gritos se escuchan lejos” symbolize the fading memories of joyous moments. The “cenizas carnavalescas” metaphorically represent the remnants of happiness and lost dreams, suggesting the ephemeral nature of joy and the inevitable return to reality. Additionally, the transformation of serpentines from elements of celebration to objects “en llamas de fuego” intensifies the theme of burning desires and the harsh aftermath of fleeting pleasures.
Written and recorded in 1959 in Argentina, “Después del carnaval” mirrors a period characterized by social and cultural transformations. Post-World War II Argentina was marked by political instability and changing social norms, which could subtly be reflected in the themes of loss and change in this tango. The song captures the essence of transient happiness and the hopeful yearning for joy’s return, resonating with a society grappling with rapid change and uncertainty.
José Amuchástegui Keen was an influential figure in the Argentine tango scene, known for his evocative and poignant compositions.
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