Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Desde el alma is a Tango written by Homero Manzi y Víctor Piuma Vélez and composed by Rosita Melo.
The lyrics of “Desde el alma” dive deep into themes of love, loss, and healing. They portray a protagonist conversing with their soul, questioning its persistence in sorrow following heartbreak. The poignant phrasing highlights an emotional struggle between clinging to the past and embracing the possibility of new love. The repeated plea to move beyond the pain reflects a universal narrative where past grievances complicate the acceptance of a brighter future. This intense emotional narrative captures the essence of Tango as a genre, often associated with sentiments of melancholy and resilience.
In “Desde el alma”, the soul itself is a significant symbol, personified to depict inner conflict and emotional turmoil. The “sunrise of a new morning” metaphorically encourages hope and renewal, urging the soul not to shut itself off from future joys. The physical letters mentioned symbolize the tangible remnants of past love, which the soul is advised to let go to make room for new experiences. These key phrases, embedded deep within the rich language of the Tango, highlight the agony of clinging to what is gone and the healing potential in opening up to new possibilities.
“Desde el alma” was crafted in 1935, a time when the cultural landscape of Argentina was rich with the burgeoning popularity of Tango, an intimate and evocative form of music and dance. Originating in the lower-class districts of Buenos Aires, Tango often carried thematic emphasis on nostalgia, struggles, and romance, reflecting both the individual and collective emotional journey of Argentinian society. During this era, such emotional expressions resonated deeply with audiences, providing a form of emotional catharsis and cultural identity.
Homero Manzi y Víctor Piuma Vélez were prominent figures in Argentine literature and tango lyricism, known for their poetic contributions which encapsulate the essence of street culture and urban sentiment in Argentina.