Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Derecho viejo is a Tango written by Gabriel Clausi and composed by Eduardo Arolas.
“Derecho viejo,” which translates to “Old Right” in English, evokes a profound sense of nostalgia and longing for past times and old rights, perhaps referring to the traditions and cultural norms of Buenos Aires’ early 20th century. The lyrics poignantly depict the emotional landscape of the city, characterized by its sensual and melancholic moods, embodied through the dance and music of tango.
The tango uses rich symbolism to convey depth of emotion and cultural resonance. The “triste bandoneón” symbolizes the soul of Buenos Aires, expressing sorrow through its music over a lost love—”la pena de un amor que nunca pudo ser.” This unattainable love theme resonates deeply, depicting universal feelings of longing and disappointment. The nostalgic remembrance of “amores de otros tiempos” further enhances this sense of yearning for the past.
Recorded in 1963, during a period when Argentina was experiencing significant social and political changes, “Derecho viejo” emerges as a retrospective longing for the simpler, more romantic era of the city’s past. The lyrics and the music resonate with the porteño spirit, capturing the essence of Buenos Aires neighborhoods and reflecting on the city’s transformation over the years. The use of phrases like “en mi arrabal” anchors the tango in specific locales, evoking images of the traditional neighborhoods and the life lived there.
Gabriel Clausi, known as “Chula,” was an influential Argentine tango musician and composer, recognized for his contributions to the genre.