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Derecho viejo

Derecho viejo is a Tango written by Eduardo Arolas and recorded by Juan D’Arienzo in 1948. Juan D’Arienzo has recorded Derecho viejo as an instrumental Tango.
“Derecho Viejo,” or “Old Right” in English, captures the essence of an era steadfastly clinging to its traditions. This tango piece evokes memories of timeworn streets, where every cobblestone whispers stories of the past. Through its melody, it honors the enduring spirit of history, reminding us that the old ways still have a rhythm of their own.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Gabriel Clausi

Author

Eduardo Arolas

Composer

1948/9/23

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

LOS SEÑORES DEL TANGO – Milonguero viejo – 1962/10/8
Juan MAGLIO – Milonguero viejo – 1928/4/2
Juan D’Arienzo – El buey solo – 1967/10/23
Juan D’Arienzo – Cielo de sombra – 1960/6/29
Juan D’Arienzo – Mi amor y tu amor – 1957/8/29
Juan D’Arienzo – El oriental – 1968/8/27
Juan D’Arienzo – Mi Japón – 1968/8/27
Horacio Salgán – Una carta – 1952/6/25
Horacio Salgán – Dandy – 1969/1/1
Horacio Salgán – Responso – 1965/1/1
Horacio Salgán – Te vas milonga – 211/12/1
Horacio Salgán – Boedo – 1963/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Derecho viejo recorded by other Orchestras

Derecho viejo recorded by other Orchestras

1948/9/23 – Pampa y huella – Juan D-Arienzo
1948/9/23 – Eterna – Juan D-Arienzo
1948/9/23 – Pof pof – Juan D-Arienzo
1948/9/23 – Corazon de papel – Miguel Calo
1948/9/23 – Nunca mas – Miguel Calo
Derecho viejo – 1939/7/17 – Juan D-Arienzo – Instrumental
Derecho viejo – 1948/9/23 – Juan D-Arienzo – Instrumental
Derecho viejo – 1963/11/13 – Juan D-Arienzo – Instrumental
Derecho viejo – 1945/5/28 – Osvaldo Pugliese – Instrumental
Derecho viejo – 1927/4/19 – Osvaldo Fresedo – Instrumental
Derecho viejo – 1941/12/30 – Osvaldo Fresedo – Instrumental
Derecho viejo – 1959/6/2 – Osvaldo Fresedo – Instrumental
Derecho viejo – 1957/4/8 – Hector Varela – Instrumental
Derecho viejo – 1966/3/24 – Florindo Sassone – Instrumental
Derecho viejo – 1953/10/23 – Francini-Pontier – Instrumental
Derecho viejo – 1957/8/7 – Armando Pontier – Instrumental
Derecho viejo – 1926/1/1 – Julio De Caro – Instrumental
Derecho viejo – 1936/8/10 – Julio De Caro – Instrumental
Derecho viejo – 1953/8/5 – Julio De Caro – Instrumental
Derecho viejo – 1934/6/1 – Orquesta Tipica Victor – Teofilo Ibanez

Letra del Tango Derecho viejo

Tango de mi ciudad, malevo y sensual,
canyengue y tristón, color de arrabal.
Señor de salón, tenés emoción
de noche porteña.
Vuelve para surgir en danza triunfal
canción sin igual que hace sentir
con tanta pasión en el corazón
su abrazo de amor.

Oigo el cantar de un triste bandoneón,
que llora en su canción la pena de un amor
que nunca pudo ser, por causa de creer
en locos berretines.
Todo pasó, no quiero recordar
el tiempo que se fue,
ya nunca volverá la dicha de tu amor
para poder soñar con vos en mi arrabal.

Qué dulzura hay en tu voz,
che, bandoneón, con tu chamuyo reo.
Tango lindo y querendón, nobleza de arrabal,
amores de otros tiempos…
Sigue, sigue tu canción
para alegrar esta velada linda,
suena, suena bandoneón, que siempre tu canción
está en el corazón.

English lyrics of the Tango "Derecho viejo"

Tango of my city, cunning and sensual,
slouching and sad, colored like a slum.
Lord of the ballroom, you hold the thrill
of a Buenos Aires night.
Return to emerge in triumphant dance
a song without equal that makes one feel
with such passion in the heart
its embrace of love.

I hear the singing of a sad bandoneon,
that cries in its song the sorrow of a love
that could never be, due to believing
in foolish infatuations.
All has passed, I don’t want to remember
the time that has gone,
the joy of your love will never return
for me to dream with you in my slum.

What sweetness there is in your voice,
hey, bandoneon, with your cunning charm.
Beautiful and affectionate tango, nobility of the slum,
loves from other times…
Continue, continue your song
to cheer up this beautiful evening,
play, play bandoneon, for your song
is always in the heart.

Derecho viejo by Gabriel Clausi

Derecho viejo is a Tango written by Gabriel Clausi and composed by Eduardo Arolas.

Story behind the Tango Derecho viejo

The lyrics of “Derecho viejo” paint vivid pictures of the urban landscape and emotions tied to the city life of Buenos Aires. The tango elaborates on themes of love, nostalgia, and city ambiance, all interwoven with a deep, emotional connection to the music expressed by the bandoneón. The song describes a yearning for the emotions of a past love that can no longer be relived, encapsulating a melancholic longing for what once was and can never return.

Symbolism of Derecho viejo

The text is rich with symbolism that heightens its poetic nature. Key phrases such as “llora en su canción” (cries in its song) and “la pena de un amor” (the sorrow of a love) use personification to ascribe a depth of feeling to the music itself, particularly the melodies of the bandoneón which is emblematic of Tango. This choice underlines music’s role as not just a component but a narrator of grief and passion. “Nobleza de arrabal” (nobility of the slum) is another poignant symbol that evokes a sense of dignity and deep cultural roots associated with the marginalized neighborhoods of Buenos Aires, from where Tango originally sprang.

Derecho viejo in historic Context

Recorded in 1948, a significant period when Argentina was undergoing profound political and social changes, “Derecho viejo” may reflect the sentiments of the era. During this time, the urban population dealt with complex emotions as Buenos Aires was rapidly modernizing, possibly leading residents to cling more fervently to cultural pillars like Tango. This song can be seen as a manifestation of the societal need to retain traditions amidst inevitable progress emphasizing the undying essence of Tango in the Argentine soul.

Gabriel Clausi

Known as “El Chula Clausi,” Gabriel Clausi was a highly influential Argentine bandoneonist and tango composer. His work, including “Derecho viejo,” has left a lasting impact on the tango music scene.