Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Del compás te llaman rey is a Tango written by Héctor Bello Schmitt and composed by Carlos Lázzari.
The Tango “Del compás te llaman rey” narrates a profound admiration and respect for Juan D’Arienzo, an iconic figure in the Tango world. The lyrics characterize D’Arienzo as a beloved, law-abiding friend, esteemed by both the common and the elite, who imbued Tango with a vibrant and rhythmic soul through his music. He is presented as a pioneer who reshaped Tango with his unique style, emphasizing rhythm from 1936 onwards, earning him the title “King of the Beat.”
The phrase “Del compás te llaman rey,” meaning “From the beat they call you king” in English, encapsulates the core theme of the Tango—reverence for D’Arienzo’s transformation of Tango music. The lyrics make frequent references to his commitment and emotional intensity, suggesting the deep connection and impact he has on Tango and its audiences worldwide. The symbolism here extends to the sense of unity and enthusiasm D’Arienzo brings to his listeners, turning somber melodies into energetic dances.
Recorded in the atmosphere of 1962 Buenos Aires, Argentina, “Del compás te llaman rey” reflects a period when Tango was not just a dance or musical genre but an integral component of cultural identity. During this time, Tango was evolving, and D’Arienzo played a significant role in this transformation, infusing the traditional sound with a vigorous and rhythmic zest that appealed globally. This shift not only rejuvenated the local music scene but also resonated worldwide, as indicated in the lyrics “Hoy el mundo entero aplaude Tu figura que es mundial”—”Today the whole world applauds your global stature.”
Héctor Bello Schmitt was a renowned lyricist in the Tango genre, celebrated for his evocative words and deep connection to Argentine culture.