Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
“De pura cepa” is a nostalgic homage to the traditional milonga, which is considered the predecessor to tango. Through its lyrics, Osvaldo Sosa Cordero expresses a deep reverence for the milonga, acknowledging its enduring charm and fundamental role in Argentine musical heritage. Despite tango’s rise to fame, which overshadowed the milonga, Cordero illustrates the milonga’s irreplaceable value and timeless beauty, symbolized through metaphors of dawn (‘lindaza como la aurora’) and the simple yet elegant percale fabric (‘sencilla como el percal’).
The phrase “De pura cepa,” which translates to “Of pure breed” in English, symbolizes authenticity and deep-rooted cultural heritage. This reflects in the lyrics’ portrayal of milonga as an authentic, soulful expression indispensable to the Argentine identity. Key phrases like ‘milonga entradora con sabor a tradición’ (enticing milonga with a taste of tradition) and ‘la gentil embajadora del cantar de mi nación’ (the gentle ambassador of my nation’s singing) highlight the milonga as a cultural emissary, embodying the spirit and traditions of Argentina.
Recorded in 1942 during a turbulent era marked by political shifts in Argentina and the larger context of World War II, “De pura cepa” serves not only as a lyrical piece but also as a reaffirmation of national identity and cultural pride. This period in history was crucial for Argentina as it was defining its place in a global context, and embracing nationalistic elements in art was a way to strengthen internal unity and resilience.
Osvaldo Sosa Cordero was an influential Argentine composer and folklorist, renowned for his deep exploration and preservation of native musical forms. His work often reflects a profound connection with the Argentine heritage.