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De pura cepa (2)

De pura cepa (2) is a Tango written by Roberto Firpo and recorded by Ángel d’Agostino in 1943. Ángel d’Agostino has recorded De pura cepa (2) as an instrumental Tango.
“De pura cepa (2)” translates to “Of Pure Stock” in English. This piece embodies the essence of authenticity, weaving a melody that speaks of heritage and untainted lineage. Its notes dance like whispers of ancestral tales, capturing the spirit of tradition with every chord and rhythm, resonating with an unyielding purity that celebrates its noble origins.

Tango

Style

Ángel d'Agostino

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1943/12/5

Date

Instrumental
Instrumental
Ángel d'Agostino
Ángel d’Agostino

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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

De pura cepa (2) recorded by other Orchestras

De pura cepa (2) recorded by other Orchestras

De pura cepa (2) recorded by Ángel D’agostino


De pura cepa (2) is an instrumental Tango composed by Roberto Firpo.



Interpretation of De pura cepa (2)

“De pura cepa” translates to “From Pure Stock” or “Of Pure Lineage,” suggesting authenticity and richness in tradition. As an instrumental piece by the Tango Orchestra Ángel D’agostino, “De pura cepa (2)” would be interpreted as a celebration of tango’s pure and unadulterated form. The music likely combines intricate melodies with a strong rhythmic foundation, embodying the essence of tango with elegance and depth. The piece may convey a sense of nostalgia while also highlighting the vibrant and passionate characteristics of tango.



Ángel D’agostino and De pura cepa (2)

Under the direction of Ángel D’agostino, known for his distinct style and orchestral precision, “De pura cepa (2)” would capture the soulful and refined aspect of tango. D’agostino’s orchestra often emphasizes a smooth and flowing ensemble sound, complemented by expressive bandoneon and violin solos, making this piece a timeless representation of the genre. The ensemble would bring to life Firpo’s composition, reflecting both the purity and complexity of tango music from that era.