Fabrice Knecht Tango DJ

De levita y con bastón

De levita y con bastón is a Tango written by Miguel Nijensohn and recorded by Miguel Caló in 1972. Miguel Caló has recorded De levita y con bastón as an instrumental Tango.
“De levita y con bastón,” or “In Morning Coat and with Cane,” is a piece that evokes the elegance and grace of a bygone era. The music conjures images of a dapper figure strolling through cobblestone streets, each step measured and purposeful. It captures a sense of nostalgia, blending sophistication with a gentle, wistful longing.

Tango

Style

Miguel Caló

Orchestra

Instrumental

Singer

Author

Miguel Nijensohn

Composer

1972/1/1

Date

Instrumental
Instrumental
Miguel Caló
Miguel Caló

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1972/1/1 – Soy melodioso (Para Osmar Maderna) – Miguel Calo
1972/1/1 – Nadine – Miguel Calo
1972/1/1 – A mi me gusta a usted – Miguel Calo
1972/1/1 – Asi se baila hoy – Miguel Calo
1972/1/1 – Cobrate y dame el vuelto – Miguel Calo

De levita y con bastón recorded by Miguel Caló


De levita y con bastón is an instrumental Tango composed by Miguel Nijensohn.



Interpretation of De levita y con bastón

“De levita y con bastón” translates to “In frock coat and with a cane” in English. This title evokes an image of elegance and poise, possibly reflecting a bygone era where such attire was emblematic of sophistication and status. The instrumental piece likely carries this essence, with a composition that captures the fluid grace of a figure dressed in formal attire, moving with dignity and command. The tango might shift gracefully from one passage to another, with the musicians mimicking the rhythm of a leisurely walk supported by a stately cane, each note carefully selected to preserve the refined air suggested by its title.



Miguel Caló and De levita y con bastón

Performed by the Tango Orchestra of Miguel Caló, “De levita y con bastón” would gain the nuanced execution that his ensemble is known for. Caló’s orchestra, celebrated for its ability to combine the richness of traditional tango with modern sensibilities, adds depth to Nijensohn’s composition. The ensemble’s strings, bandoneón, and piano collaborate to convey a sense of elegance that complements the theme proposed by the title. Constructing a vivid musical narrative, they draw the listener into an auditory journey that traverses time, evoking nostalgia for the elegance of a former era.