Fabrice Knecht Tango DJ

De corte criollo

De corte criollo is a Tango written by Eduardo Del Piano and recorded by Ángel d’Agostino in 1945. Ángel d’Agostino has recorded De corte criollo as an instrumental Tango.
“De corte criollo,” meaning “Of Creole Style,” captures the essence of a musical tradition rich in cultural fusion. The title suggests a blend of European melodies and African rhythms, embodying the spirit of Argentine tango. This piece dances between worlds, echoing the vibrant streets and soulful stories of a heritage that speaks through every note and sway.

Tango

Style

Ángel d'Agostino

Orchestra

Instrumental

Singer

Author

Eduardo Del Piano

Composer

1945/5/21

Date

Instrumental
Instrumental
Ángel d'Agostino
Ángel d’Agostino

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

De corte criollo recorded by Ángel D’agostino


De corte criollo is an instrumental Tango composed by Eduardo Del Piano.



Interpretation of De corte criollo

“De corte criollo,” when translated into English, means “With a Creole Style.” This title suggests a piece deeply rooted in the traditions and cultural expressions of the Creole community, drawing on a rich blend of European, African, and native influences characteristic of Argentine heritage. As an instrumental tango, the music likely evokes images of bustling Buenos Aires streets, with the familiar and nostalgic sounds of bandoneons and violins weaving a tapestry of emotive storytelling. The piece captures the spirit of the Creole style with its rhythmic drive and melodic elegance, inviting listeners to experience the essence of Argentine identity.



Ángel D’agostino and De corte criollo

Ángel D’agostino, renowned for his powerful tango interpretations, brings “De corte criollo” to life with his orchestra, emphasizing both tradition and innovation. D’Agostino’s orchestra is known for its ability to capture the soul of tango music, and in “De corte criollo,” this is expressed through a sophisticated interplay of instruments that express the vibrant yet melancholic mood of tango. Through his interpretation, D’Agostino ensures that “De corte criollo” not only pays homage to its roots but also resonates with audiences as a timeless piece of Argentine cultural art.