Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cuando te hablen del domingo is a Tango written by Luis Mejías and composed by Julián Ortiz.
“Cuando te hablen del domingo” delves into the culture of gambling and horse racing, central themes in many Argentinian narratives. The lyric revolves around a man warning his friend, Feliciano, against placing his hopes in horse races. The repeated phrase, “No es carrera” (This isn’t a race), suggests a deeper philosophical musing on the randomness and unpredictability of life. Mejías portrays a cautionary tale of addiction to gambling and the inevitable despair that follows misplaced trust in chance.
The central symbolic element of this tango is the horse race, representing life’s unpredictabilities and the folly of trying to predict or control fate. “Esperaste un batacazo… Y el caballo ni se vio!” (You waited for a big hit… And the horse was nowhere to be seen!) vividly illustrates the disappointment and unfulfilled expectations in gambling and, by extension, life’s ventures. This line uses the horse as a metaphor for elusive success or fortune which, despite one’s hopes and preparations, may never materialize.
Recorded in 1945, shortly after the tumultuous period of World War II, this tango resonates with a society undergoing immense change and uncertainty. Argentina, though geographically distant from the main theatres of war, was not isolated from its economic and political impacts. The song could be seen as mirroring the national sentiment of distrust and skepticism towards stability, whether in a socio-economic context or the more immediate sphere of personal endeavors like gambling.
Luis Mejías is recognized for his poignant contributions to the genre of tango, often infusing his works with reflective and sometimes melancholic themes.