Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cuando llora la milonga is a Tango written by María Luisa Carnelli and composed by Juan de Dios Filiberto.
“Cuando llora la milonga” beautifully captures melancholy and reminiscence through its poignant lyrics and evocative musical arrangement. The lyrics describe the emotional release through the sounds of bandoneon, symbolizing the collective sorrow and longing of the people in the suburbs. The ‘tears of the milonga’ suggest a profound connection to the past, emphasizing bittersweet memories and unfulfilled desires.
The recurring image of the bandoneon weeping lays the emotional foundation of the tango, hinting at deep-seated sadness and nostalgia inherent to the genre. The “congojas que se van con el anochecer” (sorrows that leave with the dusk) symbolize the transient nature of pain and the hope of a fresh start, while the “sombra” (shadow) crossing the suburban streets might imply the hovering presence of past regrets or lost loves. The earnest prayers of the old couple and the communal feeling of grief and love evoke a sense of unity and resilience among the residents facing hard times.
Recorded in 1963, a period filled with cultural and political change in Argentina, “Cuando llora la milonga” touches on themes of community, memory, and identity. This period was marked by a resurgence of national pride and a reflection on traditional values, with tango serving as a critical vessel for expressing Argentine identity. The narrative of loss and redemption might also allude to the socio-political climate of Argentina where societal conflicts were poignant.
An influential figure in the Tango scene, María Luisa Carnelli was known for her evocative lyrics that often delved deep into the emotions and stories of everyday people.